Traditions in the Discussions about the <i>obrabotvane</i> of Folklore in the <i>Avtorski Pesni v Naroden Duh</i> from Bulgaria
The <i>avtorski pesni v naroden duh</i> (authored songs in folk spirit) are a modern and multifaceted phenomenon, which has accumulated a rich history in Bulgarian musical culture. This research presents the essential characteristics of these songs and a two-part typology (1. authorized/...
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doaj-3838307fdf1e4914bdd908e15b8cc2c52020-11-25T02:50:30ZengMDPI AGArts2076-07522020-08-019898910.3390/arts9030089Traditions in the Discussions about the <i>obrabotvane</i> of Folklore in the <i>Avtorski Pesni v Naroden Duh</i> from BulgariaLozanka Peycheva0Institute of Ethnology and Folklore Studies with Ethnographic Museum, Bulgarian Academy of Sciences, 1000 Sofia, BulgariaThe <i>avtorski pesni v naroden duh</i> (authored songs in folk spirit) are a modern and multifaceted phenomenon, which has accumulated a rich history in Bulgarian musical culture. This research presents the essential characteristics of these songs and a two-part typology (1. authorized/<i>avtorizirani</i> folk songs; 2. newly composed songs ‘in folk spirit’), which is based on both models of authorship (according to Michel Foucault, authorial function is manifested in two basic forms of authorship—plagiarism and appropriation). This study provides an overview of some of the thematic debates that attempt to resolve the inevitable contradictions and tensions surrounding songwriting in folk spirit. The <i>avtorski pesni v naroden duh</i> have attracted the critical attention of Bulgarian musicians and society and have been the subject of lively discussions, criticisms, and controversy in numerous publications from the first decades of the 20th century to the present. This survey offers different perspectives, opinions and arguments focused on one of the main discussion topics related to the creation and functioning of the <i>avtorski pesni v naroden duh</i>: pro and contra the <i>obrabotvane</i> (transformation, polishing, processing, cultivation) of folklore. This problem has been at the heart of intellectual discussions since the 1930s and during the 1950s–1980s. The critical discussion of the question pro and contra the <i>obrabotvane</i> of folklore, with its whole inconsistency, complexity and impossibility to be reduced to unambiguous answers, leads to sharp confrontations between the holders of different opinions.https://www.mdpi.com/2076-0752/9/3/89<i>avtorski pesni v naroden duh</i> (authored songs in folk spirit)Bulgariapro and contra the <i>obrabotvane</i> of folklore |
collection |
DOAJ |
language |
English |
format |
Article |
sources |
DOAJ |
author |
Lozanka Peycheva |
spellingShingle |
Lozanka Peycheva Traditions in the Discussions about the <i>obrabotvane</i> of Folklore in the <i>Avtorski Pesni v Naroden Duh</i> from Bulgaria Arts <i>avtorski pesni v naroden duh</i> (authored songs in folk spirit) Bulgaria pro and contra the <i>obrabotvane</i> of folklore |
author_facet |
Lozanka Peycheva |
author_sort |
Lozanka Peycheva |
title |
Traditions in the Discussions about the <i>obrabotvane</i> of Folklore in the <i>Avtorski Pesni v Naroden Duh</i> from Bulgaria |
title_short |
Traditions in the Discussions about the <i>obrabotvane</i> of Folklore in the <i>Avtorski Pesni v Naroden Duh</i> from Bulgaria |
title_full |
Traditions in the Discussions about the <i>obrabotvane</i> of Folklore in the <i>Avtorski Pesni v Naroden Duh</i> from Bulgaria |
title_fullStr |
Traditions in the Discussions about the <i>obrabotvane</i> of Folklore in the <i>Avtorski Pesni v Naroden Duh</i> from Bulgaria |
title_full_unstemmed |
Traditions in the Discussions about the <i>obrabotvane</i> of Folklore in the <i>Avtorski Pesni v Naroden Duh</i> from Bulgaria |
title_sort |
traditions in the discussions about the <i>obrabotvane</i> of folklore in the <i>avtorski pesni v naroden duh</i> from bulgaria |
publisher |
MDPI AG |
series |
Arts |
issn |
2076-0752 |
publishDate |
2020-08-01 |
description |
The <i>avtorski pesni v naroden duh</i> (authored songs in folk spirit) are a modern and multifaceted phenomenon, which has accumulated a rich history in Bulgarian musical culture. This research presents the essential characteristics of these songs and a two-part typology (1. authorized/<i>avtorizirani</i> folk songs; 2. newly composed songs ‘in folk spirit’), which is based on both models of authorship (according to Michel Foucault, authorial function is manifested in two basic forms of authorship—plagiarism and appropriation). This study provides an overview of some of the thematic debates that attempt to resolve the inevitable contradictions and tensions surrounding songwriting in folk spirit. The <i>avtorski pesni v naroden duh</i> have attracted the critical attention of Bulgarian musicians and society and have been the subject of lively discussions, criticisms, and controversy in numerous publications from the first decades of the 20th century to the present. This survey offers different perspectives, opinions and arguments focused on one of the main discussion topics related to the creation and functioning of the <i>avtorski pesni v naroden duh</i>: pro and contra the <i>obrabotvane</i> (transformation, polishing, processing, cultivation) of folklore. This problem has been at the heart of intellectual discussions since the 1930s and during the 1950s–1980s. The critical discussion of the question pro and contra the <i>obrabotvane</i> of folklore, with its whole inconsistency, complexity and impossibility to be reduced to unambiguous answers, leads to sharp confrontations between the holders of different opinions. |
topic |
<i>avtorski pesni v naroden duh</i> (authored songs in folk spirit) Bulgaria pro and contra the <i>obrabotvane</i> of folklore |
url |
https://www.mdpi.com/2076-0752/9/3/89 |
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