Il paesaggio dentro il museo

<p>At the end of the nineteenth century the conception of the museum begins to change, and during the twentieth century it becomes a place not exclusively devoted to conservation. In the last few years, museums invested a lot in the atmospheric components. What is the visitor’s mood in the app...

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Main Author: Maria Giuseppina Di Monte
Format: Article
Language:deu
Published: Università degli Studi di Milano 2014-07-01
Series:Lebenswelt: Aesthetics and Philosophy of Experience
Online Access:http://riviste.unimi.it/index.php/Lebenswelt/article/view/4198
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spelling doaj-38147036a9934fafbe1ba0085cfaf0f22020-11-24T22:51:08ZdeuUniversità degli Studi di MilanoLebenswelt: Aesthetics and Philosophy of Experience2240-95992014-07-010410.13130/2240-9599/41983636Il paesaggio dentro il museoMaria Giuseppina Di Monte<p>At the end of the nineteenth century the conception of the museum begins to change, and during the twentieth century it becomes a place not exclusively devoted to conservation. In the last few years, museums invested a lot in the atmospheric components. What is the visitor’s mood in the appreciation of the museum space? How can the aesthetics of atmospheres be an instrument for investigating the phenomenon? The paper analyzes the contribution of this approach to the museum space.</p>http://riviste.unimi.it/index.php/Lebenswelt/article/view/4198
collection DOAJ
language deu
format Article
sources DOAJ
author Maria Giuseppina Di Monte
spellingShingle Maria Giuseppina Di Monte
Il paesaggio dentro il museo
Lebenswelt: Aesthetics and Philosophy of Experience
author_facet Maria Giuseppina Di Monte
author_sort Maria Giuseppina Di Monte
title Il paesaggio dentro il museo
title_short Il paesaggio dentro il museo
title_full Il paesaggio dentro il museo
title_fullStr Il paesaggio dentro il museo
title_full_unstemmed Il paesaggio dentro il museo
title_sort il paesaggio dentro il museo
publisher Università degli Studi di Milano
series Lebenswelt: Aesthetics and Philosophy of Experience
issn 2240-9599
publishDate 2014-07-01
description <p>At the end of the nineteenth century the conception of the museum begins to change, and during the twentieth century it becomes a place not exclusively devoted to conservation. In the last few years, museums invested a lot in the atmospheric components. What is the visitor’s mood in the appreciation of the museum space? How can the aesthetics of atmospheres be an instrument for investigating the phenomenon? The paper analyzes the contribution of this approach to the museum space.</p>
url http://riviste.unimi.it/index.php/Lebenswelt/article/view/4198
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