Local Sensorium, Local Cinema: György Pálfi’s Sensuous Body Politics
György Pálfi’s Hukkle (2002) and Taxidermia (2006) establish markedly unique cinematic styles and richly sensorial life-worlds, which function in both films as counter-discourses opposing official history, hegemonic ideologies, and conventional patterns of (cinematic) understanding. In the present s...
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| Format: | Article |
| Language: | English |
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Sciendo
2014-09-01
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| Series: | Acta Universitatis Sapientiae: Film and Media Studies |
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| Online Access: | https://doi.org/10.2478/ausfm-2014-0034 |