The Audible Life of the Image
"Since at least 1980 Godard’s cinema has been explicitly looking for (its) music, as if for its outside. In <em>Sauve qui peut (la vie)</em> Paul Godard hears, and asks about it, coming through the hotel room wall, and it follows him down to the lobby, but remains &ldq...
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| Format: | Article |
| Language: | English |
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University Library System, University of Pittsburgh
2010-01-01
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| Series: | Journal of French and Francophone Philosophy |
| Online Access: | http://jffp.pitt.edu/ojs/index.php/jffp/article/view/212 |