Turning Scientific Data into Physical Art - Sculpture as an aesthetic language

SCENARIO (SC): Hello, Adrien. You are currently artist in residence in Cork and recently gave a very impressive talk about your innovative art. From a SCENARIO-perspective it is of particular interest how you navigate the space between the Sciences and the Arts. You are sometimes referred to as a da...

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Main Author: Segal, Adrien
Format: Article
Language:deu
Published: University College Cork 2019-07-01
Series:SCENARIO: Journal for Performative Teaching, Learning, Research
Online Access:https://journals.ucc.ie/index.php/scenario/article/view/scenario-13-2-13
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spelling doaj-36f0dbd2aec14d628035f47a45ef664a2021-03-04T17:16:35ZdeuUniversity College CorkSCENARIO: Journal for Performative Teaching, Learning, Research1649-85262019-07-01XIII219920410.33178/scenario.13.2.13Turning Scientific Data into Physical Art - Sculpture as an aesthetic languageSegal, AdrienSCENARIO (SC): Hello, Adrien. You are currently artist in residence in Cork and recently gave a very impressive talk about your innovative art. From a SCENARIO-perspective it is of particular interest how you navigate the space between the Sciences and the Arts. You are sometimes referred to as a data artist. Could you perhaps briefly explain to readers of this journal what a data artist is, by giving one or two concrete examples from your work? ADRIEN SEGAL (AS):Hello!For the definition of data art, I’ll revert to my friend and fellow data inspired artist Loren Madsen’s definition: “Art whose form in large part is determined by data or information.” Beyond that, the term is very new, and essentially describes the overlap of two distinct fields, so the term “data artist” is open to interpretation.In my case, I have a BFA (Bachelors of Fine Art) in Furniture Design, and data found its way into my work in a rather unexpected and circuitous way. I have always been deeply inspired by the natural landscape, and I had a very personal experience on the coast in California where I live. This experience lead a thread of research looking at the cyclical pattern of ...https://journals.ucc.ie/index.php/scenario/article/view/scenario-13-2-13
collection DOAJ
language deu
format Article
sources DOAJ
author Segal, Adrien
spellingShingle Segal, Adrien
Turning Scientific Data into Physical Art - Sculpture as an aesthetic language
SCENARIO: Journal for Performative Teaching, Learning, Research
author_facet Segal, Adrien
author_sort Segal, Adrien
title Turning Scientific Data into Physical Art - Sculpture as an aesthetic language
title_short Turning Scientific Data into Physical Art - Sculpture as an aesthetic language
title_full Turning Scientific Data into Physical Art - Sculpture as an aesthetic language
title_fullStr Turning Scientific Data into Physical Art - Sculpture as an aesthetic language
title_full_unstemmed Turning Scientific Data into Physical Art - Sculpture as an aesthetic language
title_sort turning scientific data into physical art - sculpture as an aesthetic language
publisher University College Cork
series SCENARIO: Journal for Performative Teaching, Learning, Research
issn 1649-8526
publishDate 2019-07-01
description SCENARIO (SC): Hello, Adrien. You are currently artist in residence in Cork and recently gave a very impressive talk about your innovative art. From a SCENARIO-perspective it is of particular interest how you navigate the space between the Sciences and the Arts. You are sometimes referred to as a data artist. Could you perhaps briefly explain to readers of this journal what a data artist is, by giving one or two concrete examples from your work? ADRIEN SEGAL (AS):Hello!For the definition of data art, I’ll revert to my friend and fellow data inspired artist Loren Madsen’s definition: “Art whose form in large part is determined by data or information.” Beyond that, the term is very new, and essentially describes the overlap of two distinct fields, so the term “data artist” is open to interpretation.In my case, I have a BFA (Bachelors of Fine Art) in Furniture Design, and data found its way into my work in a rather unexpected and circuitous way. I have always been deeply inspired by the natural landscape, and I had a very personal experience on the coast in California where I live. This experience lead a thread of research looking at the cyclical pattern of ...
url https://journals.ucc.ie/index.php/scenario/article/view/scenario-13-2-13
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