A national perspective and international threads to postmodernism at the Fifth Hellenic Week of Contemporary Music

The Fifth Hellenic Week of Contemporary Music (Athens, 1976) has been mainly considered in the context of a major political event: the fall of the military dictatorship in 1974. However, it may also be seen as a landmark for the transition to a postmodern era in Greece. The musical works...

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Main Author: Christopoulou Valia
Format: Article
Language:English
Published: Serbian Academy of Sciences and Arts - Institute of Musicology of Serbian Academy of Sciences and Arts 2019-01-01
Series:Muzikologija
Subjects:
Online Access:http://www.doiserbia.nb.rs/img/doi/1450-9814/2019/1450-98141926107C.pdf
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spelling doaj-365101f54ba640a0baccb88da7e321e02020-11-25T01:11:35ZengSerbian Academy of Sciences and Arts - Institute of Musicology of Serbian Academy of Sciences and ArtsMuzikologija1450-98142406-09762019-01-0120192610711310.2298/MUZ1926107C1450-98141926107CA national perspective and international threads to postmodernism at the Fifth Hellenic Week of Contemporary MusicChristopoulou Valia0nemaThe Fifth Hellenic Week of Contemporary Music (Athens, 1976) has been mainly considered in the context of a major political event: the fall of the military dictatorship in 1974. However, it may also be seen as a landmark for the transition to a postmodern era in Greece. The musical works presented during the Week, as well as their reception by the musical community are indicative of this transition. This paper aims at exploring those two perspectives and places the emphasis on the second, through an analytical comment on Le Tricot Rouge by Giorgos Kouroupos and the critiques in the press.http://www.doiserbia.nb.rs/img/doi/1450-9814/2019/1450-98141926107C.pdfPostmodernismGreeceFifth Hellenic Week of Contemporary MusicGraphic and Verbal ScoresGiorgos Kouroupos
collection DOAJ
language English
format Article
sources DOAJ
author Christopoulou Valia
spellingShingle Christopoulou Valia
A national perspective and international threads to postmodernism at the Fifth Hellenic Week of Contemporary Music
Muzikologija
Postmodernism
Greece
Fifth Hellenic Week of Contemporary Music
Graphic and Verbal Scores
Giorgos Kouroupos
author_facet Christopoulou Valia
author_sort Christopoulou Valia
title A national perspective and international threads to postmodernism at the Fifth Hellenic Week of Contemporary Music
title_short A national perspective and international threads to postmodernism at the Fifth Hellenic Week of Contemporary Music
title_full A national perspective and international threads to postmodernism at the Fifth Hellenic Week of Contemporary Music
title_fullStr A national perspective and international threads to postmodernism at the Fifth Hellenic Week of Contemporary Music
title_full_unstemmed A national perspective and international threads to postmodernism at the Fifth Hellenic Week of Contemporary Music
title_sort national perspective and international threads to postmodernism at the fifth hellenic week of contemporary music
publisher Serbian Academy of Sciences and Arts - Institute of Musicology of Serbian Academy of Sciences and Arts
series Muzikologija
issn 1450-9814
2406-0976
publishDate 2019-01-01
description The Fifth Hellenic Week of Contemporary Music (Athens, 1976) has been mainly considered in the context of a major political event: the fall of the military dictatorship in 1974. However, it may also be seen as a landmark for the transition to a postmodern era in Greece. The musical works presented during the Week, as well as their reception by the musical community are indicative of this transition. This paper aims at exploring those two perspectives and places the emphasis on the second, through an analytical comment on Le Tricot Rouge by Giorgos Kouroupos and the critiques in the press.
topic Postmodernism
Greece
Fifth Hellenic Week of Contemporary Music
Graphic and Verbal Scores
Giorgos Kouroupos
url http://www.doiserbia.nb.rs/img/doi/1450-9814/2019/1450-98141926107C.pdf
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