Les images auto-empruntées dans Les Vacances du cinéaste (Pays-Bas, Johan van der Keuken, 38 min., 1974)

Les images auto-empruntées dans Les Vacances du cinéaste (Pays-Bas, Johan van der Keuken, 38 min., 1974)

In the Film-maker’s Holiday, Johan van der Keuken repeatedly uses cinematic self-quotation. In doing so, he delivers a variation of the filmed diary that has been little explored until now. Numerous ill-assorted sources punctuate his narrative and create innovative effects of visual and sound assona...

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Bibliographic Details
Main Author: Caroline Lardy
Format: Article
Language:English
Published: Association Française des Enseignants et Chercheurs en Cinéma et Audiovisuel 2018-10-01
Series:Mise au Point
Subjects:
self-quotation
misappropriation
diary
documentary
sound and visual source
Online Access:http://journals.openedition.org/map/2910
id doaj-3640dc2d08ab4b20ba67bbbce35b7163
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spelling doaj-3640dc2d08ab4b20ba67bbbce35b71632020-11-24T22:23:42ZengAssociation Française des Enseignants et Chercheurs en Cinéma et AudiovisuelMise au Point2261-96232018-10-011110.4000/map.2910Les images auto-empruntées dans Les Vacances du cinéaste (Pays-Bas, Johan van der Keuken, 38 min., 1974)Caroline LardyIn the Film-maker’s Holiday, Johan van der Keuken repeatedly uses cinematic self-quotation. In doing so, he delivers a variation of the filmed diary that has been little explored until now. Numerous ill-assorted sources punctuate his narrative and create innovative effects of visual and sound assonance and dissonance by a subtle interplay of inclusion and exclusion. This article will attempt to put into perspective the methods of integrating the various elements and will examine the particular reappropriation engaged in by the film-maker.http://journals.openedition.org/map/2910self-quotationmisappropriationdiarydocumentarysound and visual source
collection DOAJ
language English
format Article
sources DOAJ
author Caroline Lardy
spellingShingle Caroline Lardy
Les images auto-empruntées dans Les Vacances du cinéaste (Pays-Bas, Johan van der Keuken, 38 min., 1974)
Mise au Point
self-quotation
misappropriation
diary
documentary
sound and visual source
author_facet Caroline Lardy
author_sort Caroline Lardy
title Les images auto-empruntées dans Les Vacances du cinéaste (Pays-Bas, Johan van der Keuken, 38 min., 1974)
title_short Les images auto-empruntées dans Les Vacances du cinéaste (Pays-Bas, Johan van der Keuken, 38 min., 1974)
title_full Les images auto-empruntées dans Les Vacances du cinéaste (Pays-Bas, Johan van der Keuken, 38 min., 1974)
title_fullStr Les images auto-empruntées dans Les Vacances du cinéaste (Pays-Bas, Johan van der Keuken, 38 min., 1974)
title_full_unstemmed Les images auto-empruntées dans Les Vacances du cinéaste (Pays-Bas, Johan van der Keuken, 38 min., 1974)
title_sort les images auto-empruntées dans les vacances du cinéaste (pays-bas, johan van der keuken, 38 min., 1974)
publisher Association Française des Enseignants et Chercheurs en Cinéma et Audiovisuel
series Mise au Point
issn 2261-9623
publishDate 2018-10-01
description In the Film-maker’s Holiday, Johan van der Keuken repeatedly uses cinematic self-quotation. In doing so, he delivers a variation of the filmed diary that has been little explored until now. Numerous ill-assorted sources punctuate his narrative and create innovative effects of visual and sound assonance and dissonance by a subtle interplay of inclusion and exclusion. This article will attempt to put into perspective the methods of integrating the various elements and will examine the particular reappropriation engaged in by the film-maker.
topic self-quotation
misappropriation
diary
documentary
sound and visual source
url http://journals.openedition.org/map/2910
work_keys_str_mv AT carolinelardy lesimagesautoemprunteesdanslesvacancesducineastepaysbasjohanvanderkeuken38min1974
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