Les images auto-empruntées dans Les Vacances du cinéaste (Pays-Bas, Johan van der Keuken, 38 min., 1974)
In the Film-maker’s Holiday, Johan van der Keuken repeatedly uses cinematic self-quotation. In doing so, he delivers a variation of the filmed diary that has been little explored until now. Numerous ill-assorted sources punctuate his narrative and create innovative effects of visual and sound assona...
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| Format: | Article |
| Language: | English |
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Association Française des Enseignants et Chercheurs en Cinéma et Audiovisuel
2018-10-01
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| Series: | Mise au Point |
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| Online Access: | http://journals.openedition.org/map/2910 |
| Summary: | In the Film-maker’s Holiday, Johan van der Keuken repeatedly uses cinematic self-quotation. In doing so, he delivers a variation of the filmed diary that has been little explored until now. Numerous ill-assorted sources punctuate his narrative and create innovative effects of visual and sound assonance and dissonance by a subtle interplay of inclusion and exclusion. This article will attempt to put into perspective the methods of integrating the various elements and will examine the particular reappropriation engaged in by the film-maker. |
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| ISSN: | 2261-9623 |