A Necessary Ethics: Bakhtin and Dialogic Identity Construction in Four Morrison Novels

Reading Morrison’s The Bluest Eye, Tar Baby, Paradise and A Mercy through the lens of Bakhtin reveals identity construction as a dialogic endeavour. While this method may be necessary for character development, it serves the further purpose of making an ethical case for the self’s responsibility to...

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Bibliographic Details
Main Authors: Vida de Voss, Jairos Kangira
Format: Article
Language:English
Published: Research and Postgraduate Support Directorate 2019-06-01
Series:African Journal of Inter-Multidisciplinary Studies
Online Access:https://journals.dut.ac.za/index.php/ajims/article/view/803
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spelling doaj-36245050972e4fffb9d30f8cf57d2aa02021-04-10T05:57:07ZengResearch and Postgraduate Support DirectorateAfrican Journal of Inter-Multidisciplinary Studies2663-45972663-45892019-06-011110.51415/ajims.v1i1.803A Necessary Ethics: Bakhtin and Dialogic Identity Construction in Four Morrison Novels Vida de Voss0Jairos Kangira1Namibia University of Science and Technology University of Namibia Reading Morrison’s The Bluest Eye, Tar Baby, Paradise and A Mercy through the lens of Bakhtin reveals identity construction as a dialogic endeavour. While this method may be necessary for character development, it serves the further purpose of making an ethical case for the self’s responsibility to others. This paper considers key theoretical instruments, as enabled by Bakhtin, in relation to Morrison’s treatment of naming and other character constructing elements. It is ultimately Morrison’s construction of identity as dialogical which enables the argument that Morrison’s fiction offers an ethics in the interest of the other. Writing about the marginalised, the abused and the voiceless reveals Morrison’s oeuvre is unmistakably an ongoing engagement with the injustice of slavery and its political, economic, social and psychological aftermath. The relevance of this article lies in its analysis of Morrison’s fiction as an antidote which challenges the self’s “self-interest”, which is at the heart of injustice. This study’s primary contribution is in articulating Morrison’s portrayal of the self’s identity construction as an inescapable dialogism that forms the foundation to a philosophy that promotes greater humaneness, given the other is not separate from the self, but in fact, integral to the self. https://journals.dut.ac.za/index.php/ajims/article/view/803
collection DOAJ
language English
format Article
sources DOAJ
author Vida de Voss
Jairos Kangira
spellingShingle Vida de Voss
Jairos Kangira
A Necessary Ethics: Bakhtin and Dialogic Identity Construction in Four Morrison Novels
African Journal of Inter-Multidisciplinary Studies
author_facet Vida de Voss
Jairos Kangira
author_sort Vida de Voss
title A Necessary Ethics: Bakhtin and Dialogic Identity Construction in Four Morrison Novels
title_short A Necessary Ethics: Bakhtin and Dialogic Identity Construction in Four Morrison Novels
title_full A Necessary Ethics: Bakhtin and Dialogic Identity Construction in Four Morrison Novels
title_fullStr A Necessary Ethics: Bakhtin and Dialogic Identity Construction in Four Morrison Novels
title_full_unstemmed A Necessary Ethics: Bakhtin and Dialogic Identity Construction in Four Morrison Novels
title_sort necessary ethics: bakhtin and dialogic identity construction in four morrison novels
publisher Research and Postgraduate Support Directorate
series African Journal of Inter-Multidisciplinary Studies
issn 2663-4597
2663-4589
publishDate 2019-06-01
description Reading Morrison’s The Bluest Eye, Tar Baby, Paradise and A Mercy through the lens of Bakhtin reveals identity construction as a dialogic endeavour. While this method may be necessary for character development, it serves the further purpose of making an ethical case for the self’s responsibility to others. This paper considers key theoretical instruments, as enabled by Bakhtin, in relation to Morrison’s treatment of naming and other character constructing elements. It is ultimately Morrison’s construction of identity as dialogical which enables the argument that Morrison’s fiction offers an ethics in the interest of the other. Writing about the marginalised, the abused and the voiceless reveals Morrison’s oeuvre is unmistakably an ongoing engagement with the injustice of slavery and its political, economic, social and psychological aftermath. The relevance of this article lies in its analysis of Morrison’s fiction as an antidote which challenges the self’s “self-interest”, which is at the heart of injustice. This study’s primary contribution is in articulating Morrison’s portrayal of the self’s identity construction as an inescapable dialogism that forms the foundation to a philosophy that promotes greater humaneness, given the other is not separate from the self, but in fact, integral to the self.
url https://journals.dut.ac.za/index.php/ajims/article/view/803
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