The manifesto as genre in Ibsen's John Gabriel Borkman
This article examines John Gabriel Borkman’s neo-aristocratic performance of power and authority in Ibsen’s eponymously titled play (1896). After his downfall, John Gabriel has retreated into his once grand reception hall wherein he has become like a petrified relic from a preceding era. His perfor...
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| Format: | Article |
| Language: | English |
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Septentrio Academic Publishing
2015-02-01
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| Series: | Nordlit: Tidsskrift i litteratur og kultur |
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| Online Access: | https://septentrio.uit.no/index.php/nordlit/article/view/3361 |