Fissures of the real: deviations from mimesis in contemporary Brazilian dramaturgy
From the approach of four theatrical pieces – Apocalipse 1,11 (Teatro da Vertigem), Agreste and Projeto Body Art (by Newton Moreno), and Amores surdos (by Grace Passô) –, we intend to recognize propositions of insertion of deviant elements of the real or the referential of representation in contempo...
| Main Author: | |
|---|---|
| Format: | Article |
| Language: | Portuguese |
| Published: |
Universidade Federal Fluminense
2018-12-01
|
| Series: | Gragoatá |
| Subjects: | |
| Online Access: | http://www.gragoata.uff.br/index.php/gragoata/article/view/1171 |