Severo Sarduy y el método neobarroco

The article describes some of the conceptual bases of the Neo-Baroque, as Severo Sarduy conceives it in his essays. In the context of the series of rehabilitations of the Baroque that, in a “kidnapped” but constant way, sign the 20th century, the invention of Neo-Baroque means a passage: the Baroque...

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Main Author: Valentín Díaz
Format: Article
Language:Spanish
Published: University of Bologna 2010-05-01
Series:Confluenze
Subjects:
Online Access:http://confluenze.unibo.it/article/view/1857
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spelling doaj-354da05e386a4a6db2aacc65b2c673aa2020-11-24T23:28:51ZspaUniversity of BolognaConfluenze2036-09672010-05-0121405910.6092/issn.2036-0967/18571766Severo Sarduy y el método neobarrocoValentín Díaz0Universidad de Buenos Aires - CONICETThe article describes some of the conceptual bases of the Neo-Baroque, as Severo Sarduy conceives it in his essays. In the context of the series of rehabilitations of the Baroque that, in a “kidnapped” but constant way, sign the 20th century, the invention of Neo-Baroque means a passage: the Baroque becomes a paradigm to define a new threshold of the modernity. Therefore Sarduy (in contemporaneity with R. Barthes) participates in the debates around the negativity and turns the Neo-Baroque (as way of the Imaginary) more into an ethics than an aesthetics.http://confluenze.unibo.it/article/view/1857Severo SarduyNeo-BaroqueParadigmImaginaryVacuum
collection DOAJ
language Spanish
format Article
sources DOAJ
author Valentín Díaz
spellingShingle Valentín Díaz
Severo Sarduy y el método neobarroco
Confluenze
Severo Sarduy
Neo-Baroque
Paradigm
Imaginary
Vacuum
author_facet Valentín Díaz
author_sort Valentín Díaz
title Severo Sarduy y el método neobarroco
title_short Severo Sarduy y el método neobarroco
title_full Severo Sarduy y el método neobarroco
title_fullStr Severo Sarduy y el método neobarroco
title_full_unstemmed Severo Sarduy y el método neobarroco
title_sort severo sarduy y el método neobarroco
publisher University of Bologna
series Confluenze
issn 2036-0967
publishDate 2010-05-01
description The article describes some of the conceptual bases of the Neo-Baroque, as Severo Sarduy conceives it in his essays. In the context of the series of rehabilitations of the Baroque that, in a “kidnapped” but constant way, sign the 20th century, the invention of Neo-Baroque means a passage: the Baroque becomes a paradigm to define a new threshold of the modernity. Therefore Sarduy (in contemporaneity with R. Barthes) participates in the debates around the negativity and turns the Neo-Baroque (as way of the Imaginary) more into an ethics than an aesthetics.
topic Severo Sarduy
Neo-Baroque
Paradigm
Imaginary
Vacuum
url http://confluenze.unibo.it/article/view/1857
work_keys_str_mv AT valentindiaz severosarduyyelmetodoneobarroco
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