Severo Sarduy y el método neobarroco
The article describes some of the conceptual bases of the Neo-Baroque, as Severo Sarduy conceives it in his essays. In the context of the series of rehabilitations of the Baroque that, in a “kidnapped” but constant way, sign the 20th century, the invention of Neo-Baroque means a passage: the Baroque...
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University of Bologna
2010-05-01
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Online Access: | http://confluenze.unibo.it/article/view/1857 |
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doaj-354da05e386a4a6db2aacc65b2c673aa2020-11-24T23:28:51ZspaUniversity of BolognaConfluenze2036-09672010-05-0121405910.6092/issn.2036-0967/18571766Severo Sarduy y el método neobarrocoValentín Díaz0Universidad de Buenos Aires - CONICETThe article describes some of the conceptual bases of the Neo-Baroque, as Severo Sarduy conceives it in his essays. In the context of the series of rehabilitations of the Baroque that, in a “kidnapped” but constant way, sign the 20th century, the invention of Neo-Baroque means a passage: the Baroque becomes a paradigm to define a new threshold of the modernity. Therefore Sarduy (in contemporaneity with R. Barthes) participates in the debates around the negativity and turns the Neo-Baroque (as way of the Imaginary) more into an ethics than an aesthetics.http://confluenze.unibo.it/article/view/1857Severo SarduyNeo-BaroqueParadigmImaginaryVacuum |
collection |
DOAJ |
language |
Spanish |
format |
Article |
sources |
DOAJ |
author |
Valentín Díaz |
spellingShingle |
Valentín Díaz Severo Sarduy y el método neobarroco Confluenze Severo Sarduy Neo-Baroque Paradigm Imaginary Vacuum |
author_facet |
Valentín Díaz |
author_sort |
Valentín Díaz |
title |
Severo Sarduy y el método neobarroco |
title_short |
Severo Sarduy y el método neobarroco |
title_full |
Severo Sarduy y el método neobarroco |
title_fullStr |
Severo Sarduy y el método neobarroco |
title_full_unstemmed |
Severo Sarduy y el método neobarroco |
title_sort |
severo sarduy y el método neobarroco |
publisher |
University of Bologna |
series |
Confluenze |
issn |
2036-0967 |
publishDate |
2010-05-01 |
description |
The article describes some of the conceptual bases of the Neo-Baroque, as Severo Sarduy conceives it in his essays. In the context of the series of rehabilitations of the Baroque that, in a “kidnapped” but constant way, sign the 20th century, the invention of Neo-Baroque means a passage: the Baroque becomes a paradigm to define a new threshold of the modernity. Therefore Sarduy (in contemporaneity with R. Barthes) participates in the debates around the negativity and turns the Neo-Baroque (as way of the Imaginary) more into an ethics than an aesthetics. |
topic |
Severo Sarduy Neo-Baroque Paradigm Imaginary Vacuum |
url |
http://confluenze.unibo.it/article/view/1857 |
work_keys_str_mv |
AT valentindiaz severosarduyyelmetodoneobarroco |
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