Premesse di un’estetica africanista

First Premises of an Africanist Aesthetic identifies the essential attributes of the Africanist aesthetic through a careful exemplification and in contrast with the Europeanist ballet. It is the first study ever investigating these elements in dance. Thus, it provides a seminal methodological tool b...

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Main Author: Brenda Dixon Gottschild
Format: Article
Language:Italian
Published: University of Bologna 2015-12-01
Series:Danza e Ricerca
Online Access:http://danzaericerca.unibo.it/article/view/5953
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spelling doaj-350d8b9a82874a85a46a9607f436228d2020-11-25T00:36:28ZitaUniversity of BolognaDanza e Ricerca2036-15992015-12-012015751710.6092/issn.2036-1599/59535413Premesse di un’estetica africanistaBrenda Dixon Gottschild0 Temple UniversityFirst Premises of an Africanist Aesthetic identifies the essential attributes of the Africanist aesthetic through a careful exemplification and in contrast with the Europeanist ballet. It is the first study ever investigating these elements in dance. Thus, it provides a seminal methodological tool both for an understanding of the distinctive precepts of African-American Dance and for the disclosure of the underground traces of this culture and aesthetics in shaping Euro-American choreographers’ work, such as George Balanchine’s ballet.http://danzaericerca.unibo.it/article/view/5953
collection DOAJ
language Italian
format Article
sources DOAJ
author Brenda Dixon Gottschild
spellingShingle Brenda Dixon Gottschild
Premesse di un’estetica africanista
Danza e Ricerca
author_facet Brenda Dixon Gottschild
author_sort Brenda Dixon Gottschild
title Premesse di un’estetica africanista
title_short Premesse di un’estetica africanista
title_full Premesse di un’estetica africanista
title_fullStr Premesse di un’estetica africanista
title_full_unstemmed Premesse di un’estetica africanista
title_sort premesse di un’estetica africanista
publisher University of Bologna
series Danza e Ricerca
issn 2036-1599
publishDate 2015-12-01
description First Premises of an Africanist Aesthetic identifies the essential attributes of the Africanist aesthetic through a careful exemplification and in contrast with the Europeanist ballet. It is the first study ever investigating these elements in dance. Thus, it provides a seminal methodological tool both for an understanding of the distinctive precepts of African-American Dance and for the disclosure of the underground traces of this culture and aesthetics in shaping Euro-American choreographers’ work, such as George Balanchine’s ballet.
url http://danzaericerca.unibo.it/article/view/5953
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