Pornography and the Crossing of Class, Gender and Moral Boundaries in Sarah Waters’ Fingersmith
Fingersmith (2002), Sarah Waters’ third neo-Victorian novel, represents the culmination of her sustained attempt, in Tipping the Velvet (1998) and Affinity (1999), to provide contemporary readers with an alternative representation of Victorian society in which the invisible and marginalised homosexu...
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| Format: | Article |
| Language: | English |
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Presses Universitaires de la Méditerranée
2015-05-01
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| Series: | Études Britanniques Contemporaines |
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| Online Access: | http://journals.openedition.org/ebc/2053 |