Society of Jesus in São Luís of Maranhão: Considerations about painting and carving in Sé Cathedral

This study points out the importance of Companhia de Jesus in São Luís do Maranhão, specially regarding the context of the jesuític artistic practices found in Sé’s Cathedral and its preservation. In order to accomplish this task, it’s described the contribution of igatians as from the XVII century...

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Main Authors: Regiane Aparecida Caire Silva, Marília Martha França Sousa
Format: Article
Language:Spanish
Published: Centro de Investigaciones sobre Cultura y Sociedad, Consejo Nacional de Investigaciones Científicas y Técnicas, Universidad Nacional de Córdoba 2016-06-01
Series:Antiguos Jesuitas en Iberoamérica
Subjects:
Online Access:https://revistas.unc.edu.ar/index.php/ihs/article/view/17631
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spelling doaj-33f103838ca848a5a7bf9886998709ea2020-11-24T22:45:59ZspaCentro de Investigaciones sobre Cultura y Sociedad, Consejo Nacional de Investigaciones Científicas y Técnicas, Universidad Nacional de CórdobaAntiguos Jesuitas en Iberoamérica2314-39082016-06-0141315010.31057/2314.3908.v4.n1.1763115053Society of Jesus in São Luís of Maranhão: Considerations about painting and carving in Sé CathedralRegiane Aparecida Caire Silva0Marília Martha França Sousa1Universidade Federal do Maranhão – UFMA – BrasilUniversidade Federal do Maranhão – UFMA – BrasilThis study points out the importance of Companhia de Jesus in São Luís do Maranhão, specially regarding the context of the jesuític artistic practices found in Sé’s Cathedral and its preservation. In order to accomplish this task, it’s described the contribution of igatians as from the XVII century in the building of the School and the N.S. da Luz Church and the way until they became the Episcopal Palace and Sé’s Cathedral. The buldings have suffered significative and drastic interventions, specially the ones made for Brazil’s Independence Centenary in 1922. The research shows that only the altarpiece of the XVII century survived so far and proves that, still in the beginning of the XX century, there was a painting made by the jesuits on the lining of the chancel considered “magnificent”, that was, however, destroyed with the numberless reformations of the temple.https://revistas.unc.edu.ar/index.php/ihs/article/view/17631Companhia de JesusIgreja Nossa Senhora da LuzColégio da LuzPintura JesuíticaTalha jesuítica
collection DOAJ
language Spanish
format Article
sources DOAJ
author Regiane Aparecida Caire Silva
Marília Martha França Sousa
spellingShingle Regiane Aparecida Caire Silva
Marília Martha França Sousa
Society of Jesus in São Luís of Maranhão: Considerations about painting and carving in Sé Cathedral
Antiguos Jesuitas en Iberoamérica
Companhia de Jesus
Igreja Nossa Senhora da Luz
Colégio da Luz
Pintura Jesuítica
Talha jesuítica
author_facet Regiane Aparecida Caire Silva
Marília Martha França Sousa
author_sort Regiane Aparecida Caire Silva
title Society of Jesus in São Luís of Maranhão: Considerations about painting and carving in Sé Cathedral
title_short Society of Jesus in São Luís of Maranhão: Considerations about painting and carving in Sé Cathedral
title_full Society of Jesus in São Luís of Maranhão: Considerations about painting and carving in Sé Cathedral
title_fullStr Society of Jesus in São Luís of Maranhão: Considerations about painting and carving in Sé Cathedral
title_full_unstemmed Society of Jesus in São Luís of Maranhão: Considerations about painting and carving in Sé Cathedral
title_sort society of jesus in são luís of maranhão: considerations about painting and carving in sé cathedral
publisher Centro de Investigaciones sobre Cultura y Sociedad, Consejo Nacional de Investigaciones Científicas y Técnicas, Universidad Nacional de Córdoba
series Antiguos Jesuitas en Iberoamérica
issn 2314-3908
publishDate 2016-06-01
description This study points out the importance of Companhia de Jesus in São Luís do Maranhão, specially regarding the context of the jesuític artistic practices found in Sé’s Cathedral and its preservation. In order to accomplish this task, it’s described the contribution of igatians as from the XVII century in the building of the School and the N.S. da Luz Church and the way until they became the Episcopal Palace and Sé’s Cathedral. The buldings have suffered significative and drastic interventions, specially the ones made for Brazil’s Independence Centenary in 1922. The research shows that only the altarpiece of the XVII century survived so far and proves that, still in the beginning of the XX century, there was a painting made by the jesuits on the lining of the chancel considered “magnificent”, that was, however, destroyed with the numberless reformations of the temple.
topic Companhia de Jesus
Igreja Nossa Senhora da Luz
Colégio da Luz
Pintura Jesuítica
Talha jesuítica
url https://revistas.unc.edu.ar/index.php/ihs/article/view/17631
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