Истори я как предмет пародии в „Диалектике Переходного Времени” Виктора Пелевина

The author of this article points to Pelevin’s two main creative strategies: his use of satire which is connected with the representation of history and his inclination toward mysticism and esotericism. This article reconstructs the historical background of this work and mentions the oligarch Khodor...

Full description

Bibliographic Details
Main Author: Roman Szubin
Format: Article
Language:deu
Published: Adam Mickiewicz University Press 2016-02-01
Series:Studia Rossica Posnaniensia
Online Access:https://pressto.amu.edu.pl/index.php/strp/article/view/4953
id doaj-33919c5aa8154385b6fb31de686f5c2a
record_format Article
spelling doaj-33919c5aa8154385b6fb31de686f5c2a2021-05-03T04:42:12ZdeuAdam Mickiewicz University PressStudia Rossica Posnaniensia0081-68842016-02-0140110.14746/strp.2015.40.1.7Истори я как предмет пародии в „Диалектике Переходного Времени” Виктора ПелевинаRoman Szubin0Uniwersytet im. Adama Mickiewicza w Poznaniu, Poznań – Polska.The author of this article points to Pelevin’s two main creative strategies: his use of satire which is connected with the representation of history and his inclination toward mysticism and esotericism. This article reconstructs the historical background of this work and mentions the oligarch Khodorkovsky, which constitutes the plot of the novel. Certain aspects of V. Pelevin’s language play are also analyzed, in particular, his tendency to change the meaning of the concept of a number in the novel: a number can be mystical; it can be seen as an image or a sign and also as a word and a part of the text. The collision of two myths – the myth about capitalist consumption and the communistic myth about restoring justice – is investigated. This article shows how dogmas and ideas that are not connected with a specific person are parodied. https://pressto.amu.edu.pl/index.php/strp/article/view/4953
collection DOAJ
language deu
format Article
sources DOAJ
author Roman Szubin
spellingShingle Roman Szubin
Истори я как предмет пародии в „Диалектике Переходного Времени” Виктора Пелевина
Studia Rossica Posnaniensia
author_facet Roman Szubin
author_sort Roman Szubin
title Истори я как предмет пародии в „Диалектике Переходного Времени” Виктора Пелевина
title_short Истори я как предмет пародии в „Диалектике Переходного Времени” Виктора Пелевина
title_full Истори я как предмет пародии в „Диалектике Переходного Времени” Виктора Пелевина
title_fullStr Истори я как предмет пародии в „Диалектике Переходного Времени” Виктора Пелевина
title_full_unstemmed Истори я как предмет пародии в „Диалектике Переходного Времени” Виктора Пелевина
title_sort истори я как предмет пародии в „диалектике переходного времени” виктора пелевина
publisher Adam Mickiewicz University Press
series Studia Rossica Posnaniensia
issn 0081-6884
publishDate 2016-02-01
description The author of this article points to Pelevin’s two main creative strategies: his use of satire which is connected with the representation of history and his inclination toward mysticism and esotericism. This article reconstructs the historical background of this work and mentions the oligarch Khodorkovsky, which constitutes the plot of the novel. Certain aspects of V. Pelevin’s language play are also analyzed, in particular, his tendency to change the meaning of the concept of a number in the novel: a number can be mystical; it can be seen as an image or a sign and also as a word and a part of the text. The collision of two myths – the myth about capitalist consumption and the communistic myth about restoring justice – is investigated. This article shows how dogmas and ideas that are not connected with a specific person are parodied.
url https://pressto.amu.edu.pl/index.php/strp/article/view/4953
work_keys_str_mv AT romanszubin istoriâkakpredmetparodiivdialektikeperehodnogovremeniviktorapelevina
_version_ 1721483738620100608