Sodobna umetnost in obvezne izbirne vsebine v gimnaziji

Contemporary art differs from modern art, which preceded it, in that it strives for a return to society and everyday life, while concerning itself with current issues that the individual faces in the here and now. One of contemporary art’s more common topics is sustainable development, along with th...

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Main Author: Metoda Kemperl
Format: Article
Language:deu
Published: Znanstvena založba Filozofske fakultete Univerze v Ljubljani (Ljubljana University Press, Faculy of Arts) 2013-08-01
Series:Ars & Humanitas
Subjects:
Online Access:https://revije.ff.uni-lj.si/arshumanitas/article/view/749
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spelling doaj-332bba1be93f469d941a8bdea1611a0f2021-03-02T03:25:07ZdeuZnanstvena založba Filozofske fakultete Univerze v Ljubljani (Ljubljana University Press, Faculy of Arts)Ars & Humanitas1854-96322350-42182013-08-017113114810.4312/ars.7.1.131-148749Sodobna umetnost in obvezne izbirne vsebine v gimnazijiMetoda Kemperl0Univerza v Ljubljani, Pedagoška fakultetaContemporary art differs from modern art, which preceded it, in that it strives for a return to society and everyday life, while concerning itself with current issues that the individual faces in the here and now. One of contemporary art’s more common topics is sustainable development, along with the accompanying issues of environment, values, relation to others, etc. All of these topics are simultaneously part of the concept of active citizenship, which is why understanding contemporary art calls for active citizenship. This is particularly true of relational art, which demands the viewer’s active participation. A link between contemporary art and elective high school subjects or topics can be achieved by means of intensive inter-institutional linking of schools and galleries and museums that exhibit contemporary art.Using three examples of participatory practices (Proletarians of All Countries, Beggar Robot and EU/Others), this paper points to potential cross-curricular links in terms of subject matter. It draws attention to the fact that, from an often-overlooked pedagogical perspective, we experience contemporary art in the here and now; it also points out that the post-structural approaches are most conducive to the appreciation of contemporary art.https://revije.ff.uni-lj.si/arshumanitas/article/view/749sodobna umetnostparticipatorne likovne praksesocialno angažirana umetnostdržavljanska vzgojaaktivno državljanstvoobvezne izbirne vsebinemedpredmetno povezovanje
collection DOAJ
language deu
format Article
sources DOAJ
author Metoda Kemperl
spellingShingle Metoda Kemperl
Sodobna umetnost in obvezne izbirne vsebine v gimnaziji
Ars & Humanitas
sodobna umetnost
participatorne likovne prakse
socialno angažirana umetnost
državljanska vzgoja
aktivno državljanstvo
obvezne izbirne vsebine
medpredmetno povezovanje
author_facet Metoda Kemperl
author_sort Metoda Kemperl
title Sodobna umetnost in obvezne izbirne vsebine v gimnaziji
title_short Sodobna umetnost in obvezne izbirne vsebine v gimnaziji
title_full Sodobna umetnost in obvezne izbirne vsebine v gimnaziji
title_fullStr Sodobna umetnost in obvezne izbirne vsebine v gimnaziji
title_full_unstemmed Sodobna umetnost in obvezne izbirne vsebine v gimnaziji
title_sort sodobna umetnost in obvezne izbirne vsebine v gimnaziji
publisher Znanstvena založba Filozofske fakultete Univerze v Ljubljani (Ljubljana University Press, Faculy of Arts)
series Ars & Humanitas
issn 1854-9632
2350-4218
publishDate 2013-08-01
description Contemporary art differs from modern art, which preceded it, in that it strives for a return to society and everyday life, while concerning itself with current issues that the individual faces in the here and now. One of contemporary art’s more common topics is sustainable development, along with the accompanying issues of environment, values, relation to others, etc. All of these topics are simultaneously part of the concept of active citizenship, which is why understanding contemporary art calls for active citizenship. This is particularly true of relational art, which demands the viewer’s active participation. A link between contemporary art and elective high school subjects or topics can be achieved by means of intensive inter-institutional linking of schools and galleries and museums that exhibit contemporary art.Using three examples of participatory practices (Proletarians of All Countries, Beggar Robot and EU/Others), this paper points to potential cross-curricular links in terms of subject matter. It draws attention to the fact that, from an often-overlooked pedagogical perspective, we experience contemporary art in the here and now; it also points out that the post-structural approaches are most conducive to the appreciation of contemporary art.
topic sodobna umetnost
participatorne likovne prakse
socialno angažirana umetnost
državljanska vzgoja
aktivno državljanstvo
obvezne izbirne vsebine
medpredmetno povezovanje
url https://revije.ff.uni-lj.si/arshumanitas/article/view/749
work_keys_str_mv AT metodakemperl sodobnaumetnostinobvezneizbirnevsebinevgimnaziji
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