Haunted Bodies: Cell Switching, Getting Lost and Adaptive Geographies

This article proposes the ideas of stochastic resonance and noise as devices with which to think of the body or self as plural and porous. Boundaries and surfaces are proposed as indefinite; cell switching and narratives of the self are discussed in relation to external forces, via Arendt’s inter-su...

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Main Authors: Jane Grant, Joanne “Bob” Whalley
Format: Article
Language:English
Published: Centre for Philosophical Research 2017-11-01
Series:Avant: Journal of Philosophical-Interdisciplinary Vanguard
Subjects:
Online Access:http://avant.edu.pl/wp-content/uploads/J-Grant-J-Bob-Whalley-Haunted-Bodies.pdf
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spelling doaj-32043451536c4d79ae5d66eaa4bdc9862020-11-24T21:07:34ZengCentre for Philosophical ResearchAvant: Journal of Philosophical-Interdisciplinary Vanguard2082-67102017-11-018S27328110.26913/80s02017.0111.0025Haunted Bodies: Cell Switching, Getting Lost and Adaptive GeographiesJane GrantJoanne “Bob” WhalleyThis article proposes the ideas of stochastic resonance and noise as devices with which to think of the body or self as plural and porous. Boundaries and surfaces are proposed as indefinite; cell switching and narratives of the self are discussed in relation to external forces, via Arendt’s inter-subjectivity and La Celca’s colonization as infection. The sonic artwork Ghost, which uses models of spiking neurons to materialize endogenous and exogenous composition in relation to noise and sonic memory is presented as an exploration of the boundary or limit of the notion of self. This paper, which serves as a cogitatum (a force) rather than cognitio (the result), articulates the human body as a complex and open system that steers towards chaos by adapting and accepting further complexity as, and within, constantly adaptive networks of creativity. We suggest that by focusing on the porosity of boundaries and the mechanisms that underlie their permeability, problems around identity and subjectivity might be seen in a new light.http://avant.edu.pl/wp-content/uploads/J-Grant-J-Bob-Whalley-Haunted-Bodies.pdfboundarycell switchinghauntingsheteropathic exchangesonic memorysurfacesym⁠bio⁠gen⁠esistransfection
collection DOAJ
language English
format Article
sources DOAJ
author Jane Grant
Joanne “Bob” Whalley
spellingShingle Jane Grant
Joanne “Bob” Whalley
Haunted Bodies: Cell Switching, Getting Lost and Adaptive Geographies
Avant: Journal of Philosophical-Interdisciplinary Vanguard
boundary
cell switching
hauntings
heteropathic exchange
sonic memory
surface
sym⁠bio⁠gen⁠esis
transfection
author_facet Jane Grant
Joanne “Bob” Whalley
author_sort Jane Grant
title Haunted Bodies: Cell Switching, Getting Lost and Adaptive Geographies
title_short Haunted Bodies: Cell Switching, Getting Lost and Adaptive Geographies
title_full Haunted Bodies: Cell Switching, Getting Lost and Adaptive Geographies
title_fullStr Haunted Bodies: Cell Switching, Getting Lost and Adaptive Geographies
title_full_unstemmed Haunted Bodies: Cell Switching, Getting Lost and Adaptive Geographies
title_sort haunted bodies: cell switching, getting lost and adaptive geographies
publisher Centre for Philosophical Research
series Avant: Journal of Philosophical-Interdisciplinary Vanguard
issn 2082-6710
publishDate 2017-11-01
description This article proposes the ideas of stochastic resonance and noise as devices with which to think of the body or self as plural and porous. Boundaries and surfaces are proposed as indefinite; cell switching and narratives of the self are discussed in relation to external forces, via Arendt’s inter-subjectivity and La Celca’s colonization as infection. The sonic artwork Ghost, which uses models of spiking neurons to materialize endogenous and exogenous composition in relation to noise and sonic memory is presented as an exploration of the boundary or limit of the notion of self. This paper, which serves as a cogitatum (a force) rather than cognitio (the result), articulates the human body as a complex and open system that steers towards chaos by adapting and accepting further complexity as, and within, constantly adaptive networks of creativity. We suggest that by focusing on the porosity of boundaries and the mechanisms that underlie their permeability, problems around identity and subjectivity might be seen in a new light.
topic boundary
cell switching
hauntings
heteropathic exchange
sonic memory
surface
sym⁠bio⁠gen⁠esis
transfection
url http://avant.edu.pl/wp-content/uploads/J-Grant-J-Bob-Whalley-Haunted-Bodies.pdf
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