Günter Brus’ «Zerreißprobe» und die Tradition christlicher Selbstopfer

This article addresses the relation of Zerreißprobe (1970), the last performance work of the Viennese Actionist Günter Brus, to the tradition of Christian self-sacrifice. Three aspects of this relation are given particular attention: the aestheticization of suffering, the representative function of...

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Main Author: Rosemarie Brucher
Format: Article
Language:deu
Published: Università degli Studi di Milano 2013-05-01
Series:Studia austriaca
Online Access:https://riviste.unimi.it/index.php/StudiaAustriaca/article/view/3027
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spelling doaj-317f749969e94671821b1d62522795752020-11-24T23:49:24ZdeuUniversità degli Studi di MilanoStudia austriaca1593-25082385-29252013-05-0121015517410.13130/1593-2508/30272666Günter Brus’ «Zerreißprobe» und die Tradition christlicher SelbstopferRosemarie Brucher0Universität Wien, AustriaThis article addresses the relation of Zerreißprobe (1970), the last performance work of the Viennese Actionist Günter Brus, to the tradition of Christian self-sacrifice. Three aspects of this relation are given particular attention: the aestheticization of suffering, the representative function of sacrifice and the distinction between the dependent body and the postulate of free will.https://riviste.unimi.it/index.php/StudiaAustriaca/article/view/3027
collection DOAJ
language deu
format Article
sources DOAJ
author Rosemarie Brucher
spellingShingle Rosemarie Brucher
Günter Brus’ «Zerreißprobe» und die Tradition christlicher Selbstopfer
Studia austriaca
author_facet Rosemarie Brucher
author_sort Rosemarie Brucher
title Günter Brus’ «Zerreißprobe» und die Tradition christlicher Selbstopfer
title_short Günter Brus’ «Zerreißprobe» und die Tradition christlicher Selbstopfer
title_full Günter Brus’ «Zerreißprobe» und die Tradition christlicher Selbstopfer
title_fullStr Günter Brus’ «Zerreißprobe» und die Tradition christlicher Selbstopfer
title_full_unstemmed Günter Brus’ «Zerreißprobe» und die Tradition christlicher Selbstopfer
title_sort günter brus’ «zerreißprobe» und die tradition christlicher selbstopfer
publisher Università degli Studi di Milano
series Studia austriaca
issn 1593-2508
2385-2925
publishDate 2013-05-01
description This article addresses the relation of Zerreißprobe (1970), the last performance work of the Viennese Actionist Günter Brus, to the tradition of Christian self-sacrifice. Three aspects of this relation are given particular attention: the aestheticization of suffering, the representative function of sacrifice and the distinction between the dependent body and the postulate of free will.
url https://riviste.unimi.it/index.php/StudiaAustriaca/article/view/3027
work_keys_str_mv AT rosemariebrucher gunterbruszerreißprobeunddietraditionchristlicherselbstopfer
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