Double standards on dress code and lust in the guise of tradition in the novel Umshado [Marriage], 2006, by N. Zulu: A feminist approac
This article critically reviews the differences in attitudes and in language used between men and women through dialogue, especially when it comes to dress code, and with specific reference to N. Zulu’s novel Umshado. The various dresses worn by the protagonist, Tholakele, during her encounters with...
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doaj-314d626f83a0477c8a686166d4efed4e2020-11-25T00:50:45ZafrAOSISLiterator0258-22792219-82372019-12-01401e1e810.4102/lit.v40i1.15931321Double standards on dress code and lust in the guise of tradition in the novel Umshado [Marriage], 2006, by N. Zulu: A feminist approacHenry Gumede0Nhlanhla Mathonsi1Department of African Languages, School of Arts, College of Humanities, University of KwaZulu-Natal, DurbanDepartment of African Languages, School of Arts, College of Humanities, University of KwaZulu-Natal, DurbanThis article critically reviews the differences in attitudes and in language used between men and women through dialogue, especially when it comes to dress code, and with specific reference to N. Zulu’s novel Umshado. The various dresses worn by the protagonist, Tholakele, during her encounters with Bhekani portray her as a loose woman who always wishes to seduce men, and as one who is sexually available to men. But all that Tholakele seems to demand is that she should be allowed to dress in any attire she feels comfortable in, and to behave freely, as men do. She represents women who wish to introduce change, and who aspire to be placed on the same pedestal as their male counterparts. The novel, however, shows that women are chastised and ostracised when they try to break free from the shackles of patriarchy. Hence, we argue in this article that the juxtaposition of Tholakele’s behaviour, so disapproved of by the society, and that of Bhekani’s behaviour, shows double standards in the treatment of men and women.https://literator.org.za/index.php/literator/article/view/1593widowhoodfeminismgendersubversion of identitywomanismpatriarchygender stereotypedress codesubalterndouble standards |
collection |
DOAJ |
language |
Afrikaans |
format |
Article |
sources |
DOAJ |
author |
Henry Gumede Nhlanhla Mathonsi |
spellingShingle |
Henry Gumede Nhlanhla Mathonsi Double standards on dress code and lust in the guise of tradition in the novel Umshado [Marriage], 2006, by N. Zulu: A feminist approac Literator widowhood feminism gender subversion of identity womanism patriarchy gender stereotype dress code subaltern double standards |
author_facet |
Henry Gumede Nhlanhla Mathonsi |
author_sort |
Henry Gumede |
title |
Double standards on dress code and lust in the guise of tradition in the novel Umshado [Marriage], 2006, by N. Zulu: A feminist approac |
title_short |
Double standards on dress code and lust in the guise of tradition in the novel Umshado [Marriage], 2006, by N. Zulu: A feminist approac |
title_full |
Double standards on dress code and lust in the guise of tradition in the novel Umshado [Marriage], 2006, by N. Zulu: A feminist approac |
title_fullStr |
Double standards on dress code and lust in the guise of tradition in the novel Umshado [Marriage], 2006, by N. Zulu: A feminist approac |
title_full_unstemmed |
Double standards on dress code and lust in the guise of tradition in the novel Umshado [Marriage], 2006, by N. Zulu: A feminist approac |
title_sort |
double standards on dress code and lust in the guise of tradition in the novel umshado [marriage], 2006, by n. zulu: a feminist approac |
publisher |
AOSIS |
series |
Literator |
issn |
0258-2279 2219-8237 |
publishDate |
2019-12-01 |
description |
This article critically reviews the differences in attitudes and in language used between men and women through dialogue, especially when it comes to dress code, and with specific reference to N. Zulu’s novel Umshado. The various dresses worn by the protagonist, Tholakele, during her encounters with Bhekani portray her as a loose woman who always wishes to seduce men, and as one who is sexually available to men. But all that Tholakele seems to demand is that she should be allowed to dress in any attire she feels comfortable in, and to behave freely, as men do. She represents women who wish to introduce change, and who aspire to be placed on the same pedestal as their male counterparts. The novel, however, shows that women are chastised and ostracised when they try to break free from the shackles of patriarchy. Hence, we argue in this article that the juxtaposition of Tholakele’s behaviour, so disapproved of by the society, and that of Bhekani’s behaviour, shows double standards in the treatment of men and women. |
topic |
widowhood feminism gender subversion of identity womanism patriarchy gender stereotype dress code subaltern double standards |
url |
https://literator.org.za/index.php/literator/article/view/1593 |
work_keys_str_mv |
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