Double standards on dress code and lust in the guise of tradition in the novel Umshado [Marriage], 2006, by N. Zulu: A feminist approac

This article critically reviews the differences in attitudes and in language used between men and women through dialogue, especially when it comes to dress code, and with specific reference to N. Zulu’s novel Umshado. The various dresses worn by the protagonist, Tholakele, during her encounters with...

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Main Authors: Henry Gumede, Nhlanhla Mathonsi
Format: Article
Language:Afrikaans
Published: AOSIS 2019-12-01
Series:Literator
Subjects:
Online Access:https://literator.org.za/index.php/literator/article/view/1593
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spelling doaj-314d626f83a0477c8a686166d4efed4e2020-11-25T00:50:45ZafrAOSISLiterator0258-22792219-82372019-12-01401e1e810.4102/lit.v40i1.15931321Double standards on dress code and lust in the guise of tradition in the novel Umshado [Marriage], 2006, by N. Zulu: A feminist approacHenry Gumede0Nhlanhla Mathonsi1Department of African Languages, School of Arts, College of Humanities, University of KwaZulu-Natal, DurbanDepartment of African Languages, School of Arts, College of Humanities, University of KwaZulu-Natal, DurbanThis article critically reviews the differences in attitudes and in language used between men and women through dialogue, especially when it comes to dress code, and with specific reference to N. Zulu’s novel Umshado. The various dresses worn by the protagonist, Tholakele, during her encounters with Bhekani portray her as a loose woman who always wishes to seduce men, and as one who is sexually available to men. But all that Tholakele seems to demand is that she should be allowed to dress in any attire she feels comfortable in, and to behave freely, as men do. She represents women who wish to introduce change, and who aspire to be placed on the same pedestal as their male counterparts. The novel, however, shows that women are chastised and ostracised when they try to break free from the shackles of patriarchy. Hence, we argue in this article that the juxtaposition of Tholakele’s behaviour, so disapproved of by the society, and that of Bhekani’s behaviour, shows double standards in the treatment of men and women.https://literator.org.za/index.php/literator/article/view/1593widowhoodfeminismgendersubversion of identitywomanismpatriarchygender stereotypedress codesubalterndouble standards
collection DOAJ
language Afrikaans
format Article
sources DOAJ
author Henry Gumede
Nhlanhla Mathonsi
spellingShingle Henry Gumede
Nhlanhla Mathonsi
Double standards on dress code and lust in the guise of tradition in the novel Umshado [Marriage], 2006, by N. Zulu: A feminist approac
Literator
widowhood
feminism
gender
subversion of identity
womanism
patriarchy
gender stereotype
dress code
subaltern
double standards
author_facet Henry Gumede
Nhlanhla Mathonsi
author_sort Henry Gumede
title Double standards on dress code and lust in the guise of tradition in the novel Umshado [Marriage], 2006, by N. Zulu: A feminist approac
title_short Double standards on dress code and lust in the guise of tradition in the novel Umshado [Marriage], 2006, by N. Zulu: A feminist approac
title_full Double standards on dress code and lust in the guise of tradition in the novel Umshado [Marriage], 2006, by N. Zulu: A feminist approac
title_fullStr Double standards on dress code and lust in the guise of tradition in the novel Umshado [Marriage], 2006, by N. Zulu: A feminist approac
title_full_unstemmed Double standards on dress code and lust in the guise of tradition in the novel Umshado [Marriage], 2006, by N. Zulu: A feminist approac
title_sort double standards on dress code and lust in the guise of tradition in the novel umshado [marriage], 2006, by n. zulu: a feminist approac
publisher AOSIS
series Literator
issn 0258-2279
2219-8237
publishDate 2019-12-01
description This article critically reviews the differences in attitudes and in language used between men and women through dialogue, especially when it comes to dress code, and with specific reference to N. Zulu’s novel Umshado. The various dresses worn by the protagonist, Tholakele, during her encounters with Bhekani portray her as a loose woman who always wishes to seduce men, and as one who is sexually available to men. But all that Tholakele seems to demand is that she should be allowed to dress in any attire she feels comfortable in, and to behave freely, as men do. She represents women who wish to introduce change, and who aspire to be placed on the same pedestal as their male counterparts. The novel, however, shows that women are chastised and ostracised when they try to break free from the shackles of patriarchy. Hence, we argue in this article that the juxtaposition of Tholakele’s behaviour, so disapproved of by the society, and that of Bhekani’s behaviour, shows double standards in the treatment of men and women.
topic widowhood
feminism
gender
subversion of identity
womanism
patriarchy
gender stereotype
dress code
subaltern
double standards
url https://literator.org.za/index.php/literator/article/view/1593
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