WORKS FOR CLARINET AND ACCOMPANIMENT IN OLEG NEGRUŢA’S COMPOSITION REPERTOIRE

Oleg Negruţa’s composition repertoire for solo instruments with accompaniment, of which clarinet opuses are highlighted, is important for indigenous musical art. In a vast genre complex, it confirms the composer’s constant commitment to the idea of the Bessarabian professional school. In this sense,...

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Main Authors: MUŞAT SERGHEI, CHICIUC NATALIA
Format: Article
Language:deu
Published: Notograf Prim 2015-06-01
Series:Studiul Artelor şi Culturologie: Istorie, Teorie, Practică
Subjects:
Online Access:http://revista.amtap.md/wp-content/files_mf/151073689111smusat_CreatiilepentruclarinetsiacompaniamentinrepertoriulcomponisticalmaestruluiOlegNegruta.pdf
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spelling doaj-312f5ea01cef49e293676139786d084f2020-11-24T23:20:35ZdeuNotograf PrimStudiul Artelor şi Culturologie: Istorie, Teorie, Practică2345-14082345-18312015-06-012(25)8488WORKS FOR CLARINET AND ACCOMPANIMENT IN OLEG NEGRUŢA’S COMPOSITION REPERTOIREMUŞAT SERGHEI 0CHICIUC NATALIA1George Enescu National University of Arts, Iaşi, RomaniaAcademy of Music, Theatre and Fine ArtsOleg Negruţa’s composition repertoire for solo instruments with accompaniment, of which clarinet opuses are highlighted, is important for indigenous musical art. In a vast genre complex, it confirms the composer’s constant commitment to the idea of the Bessarabian professional school. In this sense, as relevant works can be considered the three pieces for clarinet and piano: Improvisation, Fantasy on a Theme by Paganini and Elegy. However, this article is meant to offer details in an analytical way about Negruţa’s specific language and, moreover, to emphasize the author’s mastery of combining folklore elements with others characteristic ofjazz, both being treated according to the canons of academic music.http://revista.amtap.md/wp-content/files_mf/151073689111smusat_CreatiilepentruclarinetsiacompaniamentinrepertoriulcomponisticalmaestruluiOlegNegruta.pdfclarinetaccompanimentrepertoireimprovisationtheme with variationselegy
collection DOAJ
language deu
format Article
sources DOAJ
author MUŞAT SERGHEI
CHICIUC NATALIA
spellingShingle MUŞAT SERGHEI
CHICIUC NATALIA
WORKS FOR CLARINET AND ACCOMPANIMENT IN OLEG NEGRUŢA’S COMPOSITION REPERTOIRE
Studiul Artelor şi Culturologie: Istorie, Teorie, Practică
clarinet
accompaniment
repertoire
improvisation
theme with variations
elegy
author_facet MUŞAT SERGHEI
CHICIUC NATALIA
author_sort MUŞAT SERGHEI
title WORKS FOR CLARINET AND ACCOMPANIMENT IN OLEG NEGRUŢA’S COMPOSITION REPERTOIRE
title_short WORKS FOR CLARINET AND ACCOMPANIMENT IN OLEG NEGRUŢA’S COMPOSITION REPERTOIRE
title_full WORKS FOR CLARINET AND ACCOMPANIMENT IN OLEG NEGRUŢA’S COMPOSITION REPERTOIRE
title_fullStr WORKS FOR CLARINET AND ACCOMPANIMENT IN OLEG NEGRUŢA’S COMPOSITION REPERTOIRE
title_full_unstemmed WORKS FOR CLARINET AND ACCOMPANIMENT IN OLEG NEGRUŢA’S COMPOSITION REPERTOIRE
title_sort works for clarinet and accompaniment in oleg negruţa’s composition repertoire
publisher Notograf Prim
series Studiul Artelor şi Culturologie: Istorie, Teorie, Practică
issn 2345-1408
2345-1831
publishDate 2015-06-01
description Oleg Negruţa’s composition repertoire for solo instruments with accompaniment, of which clarinet opuses are highlighted, is important for indigenous musical art. In a vast genre complex, it confirms the composer’s constant commitment to the idea of the Bessarabian professional school. In this sense, as relevant works can be considered the three pieces for clarinet and piano: Improvisation, Fantasy on a Theme by Paganini and Elegy. However, this article is meant to offer details in an analytical way about Negruţa’s specific language and, moreover, to emphasize the author’s mastery of combining folklore elements with others characteristic ofjazz, both being treated according to the canons of academic music.
topic clarinet
accompaniment
repertoire
improvisation
theme with variations
elegy
url http://revista.amtap.md/wp-content/files_mf/151073689111smusat_CreatiilepentruclarinetsiacompaniamentinrepertoriulcomponisticalmaestruluiOlegNegruta.pdf
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