Propelling Cinema and Aesthetics Forwards Through (Un)Reality: Pedro Afonso’s Take On Roy Andersson’s Complex Image
This short piece analyses Pedro Afonso’s video essay on Roy Andersson’s Complex Image, an aesthetic style based on the tableau shot. It proceeds by scrutinizing the relationship Andersson’s aesthetic maintains with painting, slow cinema and political ideology, three aspects connected with realism,...
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| Format: | Article |
| Language: | English |
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Universidade Católica Portuguesa
2021-04-01
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| Series: | Journal of Science and Technology of the Arts |
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| Online Access: | https://revistas.ucp.pt/index.php/jsta/article/view/9912 |