Summary: | Traditionally, fictional television stereotypes women and it become them invisible because of a representation linked to pleasure of men, only like a passive object. However, the <em>Third Golden Age of Television</em> allows spaces to products that break this normative androcentric model, such as <em>Orange is the New Black</em> (Netflix, 2013). Thus, this research study the discourses about women sexuality and bodies through a Feminist Critical Discourse Analysis. In particular, it uses two paradigmatic episodes where these topics are dealt:<em> A Whole Other Hole </em>(204) and <em>Fear, and Other Smells</em> (308). In these sense, Jenji Kohan’s drama allows to re-appropriate women`s sexualities and bodies through a diverse representation and breaking the patriarchy’s silences about female realities.
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