Evaluation of Auditory Stream Segregation in Musicians and Nonmusicians

Introduction One of the major cues that help in auditory stream segregation is spectral profiling. Musicians are trained to perceive a fine structural variation in the acoustic stimuli and have enhanced temporal perception and speech perception in noise. Objective To analyze the differenc...

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Main Authors: Naina Johnson, Annika Mariam Shiju, Adya Parmar, Prashanth Prabhu
Format: Article
Language:English
Published: Thieme Revinter Publicações Ltda. 2021-01-01
Series:International Archives of Otorhinolaryngology
Subjects:
Online Access:http://www.thieme-connect.de/DOI/DOI?10.1055/s-0040-1709116
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spelling doaj-309e798bcc0b488481da484fc93598582021-02-02T00:28:18ZengThieme Revinter Publicações Ltda.International Archives of Otorhinolaryngology1809-97771809-48642021-01-012501e77e8010.1055/s-0040-1709116Evaluation of Auditory Stream Segregation in Musicians and NonmusiciansNaina Johnson0Annika Mariam Shiju1Adya Parmar2Prashanth Prabhu3Department of Audiology, All India Institute of Speech and Hearing, Mysore, IndiaDepartment of Audiology, All India Institute of Speech and Hearing, Mysore, IndiaDepartment of Audiology, All India Institute of Speech and Hearing, Mysore, IndiaDepartment of Audiology, All India Institute of Speech and Hearing, Mysore, IndiaIntroduction One of the major cues that help in auditory stream segregation is spectral profiling. Musicians are trained to perceive a fine structural variation in the acoustic stimuli and have enhanced temporal perception and speech perception in noise. Objective To analyze the differences in spectral profile thresholds in musicians and nonmusicians. Methods The spectral profile analysis threshold was compared between 2 groups (musicians and nonmusicians) in the age range between 15 and 30 years old. The stimuli had 5 harmonics, all at the same amplitude (f0 = 330 Hz, mi4). The third (variable tone) has a similar harmonic structure; however, the amplitude of the third harmonic component was higher, producing a different timbre in comparison with the standards. The subject had to identify the odd timbre tone. The testing was performed at 60 dB HL in a sound-treated room. Results The results of the study showed that the profile analysis thresholds were significantly better in musicians compared with nonmusicians. The result of the study also showed that the profile analysis thresholds were better with an increase in the duration of music training. Thus, improved auditory processing in musicians could have resulted in a better profile analysis threshold. Conclusions Auditory stream segregation was found to be better in musicians compared with nonmusicians, and the performance improved with an increase in several years of training. However, further studies are essential on a larger group with more variables for validation of the results.http://www.thieme-connect.de/DOI/DOI?10.1055/s-0040-1709116musiciansspectral profile analysisauditory stream segregationmusical training
collection DOAJ
language English
format Article
sources DOAJ
author Naina Johnson
Annika Mariam Shiju
Adya Parmar
Prashanth Prabhu
spellingShingle Naina Johnson
Annika Mariam Shiju
Adya Parmar
Prashanth Prabhu
Evaluation of Auditory Stream Segregation in Musicians and Nonmusicians
International Archives of Otorhinolaryngology
musicians
spectral profile analysis
auditory stream segregation
musical training
author_facet Naina Johnson
Annika Mariam Shiju
Adya Parmar
Prashanth Prabhu
author_sort Naina Johnson
title Evaluation of Auditory Stream Segregation in Musicians and Nonmusicians
title_short Evaluation of Auditory Stream Segregation in Musicians and Nonmusicians
title_full Evaluation of Auditory Stream Segregation in Musicians and Nonmusicians
title_fullStr Evaluation of Auditory Stream Segregation in Musicians and Nonmusicians
title_full_unstemmed Evaluation of Auditory Stream Segregation in Musicians and Nonmusicians
title_sort evaluation of auditory stream segregation in musicians and nonmusicians
publisher Thieme Revinter Publicações Ltda.
series International Archives of Otorhinolaryngology
issn 1809-9777
1809-4864
publishDate 2021-01-01
description Introduction One of the major cues that help in auditory stream segregation is spectral profiling. Musicians are trained to perceive a fine structural variation in the acoustic stimuli and have enhanced temporal perception and speech perception in noise. Objective To analyze the differences in spectral profile thresholds in musicians and nonmusicians. Methods The spectral profile analysis threshold was compared between 2 groups (musicians and nonmusicians) in the age range between 15 and 30 years old. The stimuli had 5 harmonics, all at the same amplitude (f0 = 330 Hz, mi4). The third (variable tone) has a similar harmonic structure; however, the amplitude of the third harmonic component was higher, producing a different timbre in comparison with the standards. The subject had to identify the odd timbre tone. The testing was performed at 60 dB HL in a sound-treated room. Results The results of the study showed that the profile analysis thresholds were significantly better in musicians compared with nonmusicians. The result of the study also showed that the profile analysis thresholds were better with an increase in the duration of music training. Thus, improved auditory processing in musicians could have resulted in a better profile analysis threshold. Conclusions Auditory stream segregation was found to be better in musicians compared with nonmusicians, and the performance improved with an increase in several years of training. However, further studies are essential on a larger group with more variables for validation of the results.
topic musicians
spectral profile analysis
auditory stream segregation
musical training
url http://www.thieme-connect.de/DOI/DOI?10.1055/s-0040-1709116
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