Watak Manusia Dalam Naskah Geguritan Joharsa

• Main Author: Mukhtaruddin Mukhtaruddin
• Format: Article
• Language: English
• Published: Ministry of Religious Affairs 2009-12-01
• Series: Analisa: Jurnal Pengkajian Masalah Sosial Keagamaan
• Online Access: http://blasemarang.kemenag.go.id/journal/index.php/analisa/article/view/47

<p>The study of Balinese manuscripts Classical Islamic religious nuance<br />is done using philological approach and method of content analysis based<br />on the framework of semio tic analysis of Roland Barthes post-structural.<br />Stages of this research include the transfer of language or transliteration<br />of the manuscript into Indonesian. After that, then the manuscript was<br />translated into Indonesian. Indonesian-language translation is being<br />analyzed. Geguritan Joharsa analyzed in this report only 4 Canto, namely<br />Canto 19 to Canto 22. Geguritan Joharsa Canto 19 to Canto 22 describes the<br />character of each actor in this geguritan. Those cantos describe good human<br />nature and human nature is not good.<br />Human nature is well refected by Joharsa, Narawulan and Nahoda<br />as perpetrators. Joharsa has noble character exemplary human beings.<br />Character is very important in family life and in public life. Character in<br />accordance with Joharsa is Narawulan. She has devoted to her husband’s<br />character. She faced a diffcult life very hard, but she remained faithful to her<br />husband until met. Nahoda character is like to distance them from the world<br />and like to help with no strings attached. Which is not good character played<br />by King Lokantara. King has a character Lokantara arrogant and angry.</p><p><br />Key Words: Geguritan Joharsa, Human Character</p>