Pesquisa na formação continuada dos professores: possibilidades para uma educação estética

In this work, we discuss a modality of continuing education for teachers of the early years of elementary school. This discussion has been undertaken with a view to aesthetics in training for teachers at work. The discussion is based on results from a longitudinal study conducted between 2004 and 20...

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Main Author: Luciane Maria Schlindwein
Format: Article
Language:English
Published: Editora Universitária Champagnat - PUCPRESS 2012-01-01
Series:Revista Diálogo Educacional
Online Access:http://www.redalyc.org/articulo.oa?id=189124308012
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spelling doaj-308396e9b74f4ba99020e9a20e7187d02020-11-25T00:54:20ZengEditora Universitária Champagnat - PUCPRESSRevista Diálogo Educacional1518-34831981-416X2012-01-011237823841Pesquisa na formação continuada dos professores: possibilidades para uma educação estéticaLuciane Maria SchlindweinIn this work, we discuss a modality of continuing education for teachers of the early years of elementary school. This discussion has been undertaken with a view to aesthetics in training for teachers at work. The discussion is based on results from a longitudinal study conducted between 2004 and 2006 with a group of 12 teachers from public schools. The outline presented here aims to contribute to studies on the possibilities of aesthetic development in the continuing education of teachers. The analyses and results are being discussed under the impact in education, starting an experience of music in the continuing education of teachers of the early years of elementary school. Workshops were held with a musician teacher, recorded on videocassette in which the teachers involved could experience the music in its aspects of melody, rhythm, and the handling of some percussion instruments, leading them to their different sensitivities. The analysis of the material was taken from the theoretical and methodological assumptions of historical-cultural Psychology, especially the contributions of Vygotsky. The videotapes were transcribed and analyzed with a view to grasp to the different meanings attributed by teachers to the elements present in musical experience. The results indicated that, more than learning music, the sensitive eye was extended with possible consequences for everyday teaching.http://www.redalyc.org/articulo.oa?id=189124308012
collection DOAJ
language English
format Article
sources DOAJ
author Luciane Maria Schlindwein
spellingShingle Luciane Maria Schlindwein
Pesquisa na formação continuada dos professores: possibilidades para uma educação estética
Revista Diálogo Educacional
author_facet Luciane Maria Schlindwein
author_sort Luciane Maria Schlindwein
title Pesquisa na formação continuada dos professores: possibilidades para uma educação estética
title_short Pesquisa na formação continuada dos professores: possibilidades para uma educação estética
title_full Pesquisa na formação continuada dos professores: possibilidades para uma educação estética
title_fullStr Pesquisa na formação continuada dos professores: possibilidades para uma educação estética
title_full_unstemmed Pesquisa na formação continuada dos professores: possibilidades para uma educação estética
title_sort pesquisa na formação continuada dos professores: possibilidades para uma educação estética
publisher Editora Universitária Champagnat - PUCPRESS
series Revista Diálogo Educacional
issn 1518-3483
1981-416X
publishDate 2012-01-01
description In this work, we discuss a modality of continuing education for teachers of the early years of elementary school. This discussion has been undertaken with a view to aesthetics in training for teachers at work. The discussion is based on results from a longitudinal study conducted between 2004 and 2006 with a group of 12 teachers from public schools. The outline presented here aims to contribute to studies on the possibilities of aesthetic development in the continuing education of teachers. The analyses and results are being discussed under the impact in education, starting an experience of music in the continuing education of teachers of the early years of elementary school. Workshops were held with a musician teacher, recorded on videocassette in which the teachers involved could experience the music in its aspects of melody, rhythm, and the handling of some percussion instruments, leading them to their different sensitivities. The analysis of the material was taken from the theoretical and methodological assumptions of historical-cultural Psychology, especially the contributions of Vygotsky. The videotapes were transcribed and analyzed with a view to grasp to the different meanings attributed by teachers to the elements present in musical experience. The results indicated that, more than learning music, the sensitive eye was extended with possible consequences for everyday teaching.
url http://www.redalyc.org/articulo.oa?id=189124308012
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