Composizione e improvvisazione: dove sta la differenza?
Improvisation is often conceived as making music without reading a score. This interpretation derives from the Western identification of composition with written music. But “improvisation” too is a form of composition – and not just in “real time” – with aims and criteria that differ from those of w...
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doaj-306f322452334d57a0c0155895c851a82020-11-25T01:42:30ZengFirenze University PressAisthesis2035-84662014-02-016313315310.13128/Aisthesis-1409911922Composizione e improvvisazione: dove sta la differenza?Daniele GoldoniImprovisation is often conceived as making music without reading a score. This interpretation derives from the Western identification of composition with written music. But “improvisation” too is a form of composition – and not just in “real time” – with aims and criteria that differ from those of written music. Today the interest in improvisation is growing –and even changing with respect to the postwar years – in connection with changes in music, sound and social relationships, reflecting new media developments.http://www.fupress.net/index.php/aisthesis/article/view/14099improvisationcompositioncontemporary world |
collection |
DOAJ |
language |
English |
format |
Article |
sources |
DOAJ |
author |
Daniele Goldoni |
spellingShingle |
Daniele Goldoni Composizione e improvvisazione: dove sta la differenza? Aisthesis improvisation composition contemporary world |
author_facet |
Daniele Goldoni |
author_sort |
Daniele Goldoni |
title |
Composizione e improvvisazione: dove sta la differenza? |
title_short |
Composizione e improvvisazione: dove sta la differenza? |
title_full |
Composizione e improvvisazione: dove sta la differenza? |
title_fullStr |
Composizione e improvvisazione: dove sta la differenza? |
title_full_unstemmed |
Composizione e improvvisazione: dove sta la differenza? |
title_sort |
composizione e improvvisazione: dove sta la differenza? |
publisher |
Firenze University Press |
series |
Aisthesis |
issn |
2035-8466 |
publishDate |
2014-02-01 |
description |
Improvisation is often conceived as making music without reading a score. This interpretation derives from the Western identification of composition with written music. But “improvisation” too is a form of composition – and not just in “real time” – with aims and criteria that differ from those of written music. Today the interest in improvisation is growing –and even changing with respect to the postwar years – in connection with changes in music, sound and social relationships, reflecting new media developments. |
topic |
improvisation composition contemporary world |
url |
http://www.fupress.net/index.php/aisthesis/article/view/14099 |
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AT danielegoldoni composizioneeimprovvisazionedovestaladifferenza |
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1725035852441059328 |