Folk theories of algorithmic recommendations on Spotify: Enacting data assemblages in the global South
This paper examines folk theories of algorithmic recommendations on Spotify in order to make visible the cultural specificities of data assemblages in the global South. The study was conducted in Costa Rica and draws on triangulated data from 30 interviews, 4 focus groups with 22 users, and the stud...
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Online Access: | https://doi.org/10.1177/2053951720923377 |
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doaj-30281e769d8d4ee7a0e5963c2a72f2a82020-11-25T03:30:57ZengSAGE PublishingBig Data & Society2053-95172020-04-01710.1177/2053951720923377Folk theories of algorithmic recommendations on Spotify: Enacting data assemblages in the global SouthIgnacio SilesAndrés Segura-CastilloRicardo SolísMónica SanchoThis paper examines folk theories of algorithmic recommendations on Spotify in order to make visible the cultural specificities of data assemblages in the global South. The study was conducted in Costa Rica and draws on triangulated data from 30 interviews, 4 focus groups with 22 users, and the study of “rich pictures” made by individuals to graphically represent their understanding of algorithmic recommendations. We found two main folk theories: one that personifies Spotify (and conceives of it as a social being that provides recommendations thanks to surveillance) and another one that envisions it as a system full of resources (and a computational machine that offers an individualized musical experience through the appropriate kind of “training”). Whereas the first theory emphasizes local conceptions of social relations to make sense of algorithms, the second one stresses the role of algorithms in providing a global experience of music and technology. We analyze why people espouse either one of these theories (or both) and how these theories provide users with resources to enact different modalities of power and resistance in relation to recommendation algorithms. We argue that folk theories thus offer a productive way to broaden understanding of what agency means in relation to algorithms.https://doi.org/10.1177/2053951720923377 |
collection |
DOAJ |
language |
English |
format |
Article |
sources |
DOAJ |
author |
Ignacio Siles Andrés Segura-Castillo Ricardo Solís Mónica Sancho |
spellingShingle |
Ignacio Siles Andrés Segura-Castillo Ricardo Solís Mónica Sancho Folk theories of algorithmic recommendations on Spotify: Enacting data assemblages in the global South Big Data & Society |
author_facet |
Ignacio Siles Andrés Segura-Castillo Ricardo Solís Mónica Sancho |
author_sort |
Ignacio Siles |
title |
Folk theories of algorithmic recommendations on Spotify: Enacting data assemblages in the global South |
title_short |
Folk theories of algorithmic recommendations on Spotify: Enacting data assemblages in the global South |
title_full |
Folk theories of algorithmic recommendations on Spotify: Enacting data assemblages in the global South |
title_fullStr |
Folk theories of algorithmic recommendations on Spotify: Enacting data assemblages in the global South |
title_full_unstemmed |
Folk theories of algorithmic recommendations on Spotify: Enacting data assemblages in the global South |
title_sort |
folk theories of algorithmic recommendations on spotify: enacting data assemblages in the global south |
publisher |
SAGE Publishing |
series |
Big Data & Society |
issn |
2053-9517 |
publishDate |
2020-04-01 |
description |
This paper examines folk theories of algorithmic recommendations on Spotify in order to make visible the cultural specificities of data assemblages in the global South. The study was conducted in Costa Rica and draws on triangulated data from 30 interviews, 4 focus groups with 22 users, and the study of “rich pictures” made by individuals to graphically represent their understanding of algorithmic recommendations. We found two main folk theories: one that personifies Spotify (and conceives of it as a social being that provides recommendations thanks to surveillance) and another one that envisions it as a system full of resources (and a computational machine that offers an individualized musical experience through the appropriate kind of “training”). Whereas the first theory emphasizes local conceptions of social relations to make sense of algorithms, the second one stresses the role of algorithms in providing a global experience of music and technology. We analyze why people espouse either one of these theories (or both) and how these theories provide users with resources to enact different modalities of power and resistance in relation to recommendation algorithms. We argue that folk theories thus offer a productive way to broaden understanding of what agency means in relation to algorithms. |
url |
https://doi.org/10.1177/2053951720923377 |
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