Bodies in the Novel Infinite Jest

This manuscript provides a literary analysis of the use of bodies in the novel Infinite Jest by David Foster Wallace. The novel describes a world where oversaturation of external stimulation leads to the perception of mind and body of self of an individual as prosthetic parts, malleable and deformed...

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Main Authors: Ana Chapman, Silvia Chapman, Stephanie Cosentino
Format: Article
Language:English
Published: Frontiers Media S.A. 2021-09-01
Series:Frontiers in Psychology
Subjects:
Online Access:https://www.frontiersin.org/articles/10.3389/fpsyg.2021.539555/full
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spelling doaj-2fbb0e2b8a4b4004bacebe4c33b1f22f2021-09-09T06:30:06ZengFrontiers Media S.A.Frontiers in Psychology1664-10782021-09-011210.3389/fpsyg.2021.539555539555Bodies in the Novel Infinite JestAna Chapman0Silvia Chapman1Stephanie Cosentino2Stephanie Cosentino3Department of English, French and German, Faculty of Arts, University of Málaga, Málaga, SpainCognitive Neuroscience Division, Taub Institute for Research on Alzheimer's Disease and Gertrude H. Sergievsky Center, Columbia University Irving Medical Center, New York, NY, United StatesCognitive Neuroscience Division, Taub Institute for Research on Alzheimer's Disease and Gertrude H. Sergievsky Center, Columbia University Irving Medical Center, New York, NY, United StatesDepartment of Neurology, Columbia University Irving Medical Center, New York, NY, United StatesThis manuscript provides a literary analysis of the use of bodies in the novel Infinite Jest by David Foster Wallace. The novel describes a world where oversaturation of external stimulation leads to the perception of mind and body of self of an individual as prosthetic parts, malleable and deformed, wherein the mind fails to feel bodily sensations and characters experience a complete disconnectedness from the self and others. Indeed, the disembodiment of characters and sensations of disconnection leads them to a compulsive quest for connectedness through the use of masks, made-up feelings, mind–body hybrid pain, corporeal malleability, and prostheses. These portrayals of the disordered and disconnectedness between body and mind or self will be described and compared to clinical conditions characterized by a disconnection between mind and body and impaired body self-awareness. Through this exercise, we argue that the use of scientifically inspired pathologized bodies is a means of conveying the stance of Wallace on or criticism of the degradation of society through excessive entertainment.https://www.frontiersin.org/articles/10.3389/fpsyg.2021.539555/fullliteratureDavid Foster Wallacebody self-awarenessembodimentcognitive science
collection DOAJ
language English
format Article
sources DOAJ
author Ana Chapman
Silvia Chapman
Stephanie Cosentino
Stephanie Cosentino
spellingShingle Ana Chapman
Silvia Chapman
Stephanie Cosentino
Stephanie Cosentino
Bodies in the Novel Infinite Jest
Frontiers in Psychology
literature
David Foster Wallace
body self-awareness
embodiment
cognitive science
author_facet Ana Chapman
Silvia Chapman
Stephanie Cosentino
Stephanie Cosentino
author_sort Ana Chapman
title Bodies in the Novel Infinite Jest
title_short Bodies in the Novel Infinite Jest
title_full Bodies in the Novel Infinite Jest
title_fullStr Bodies in the Novel Infinite Jest
title_full_unstemmed Bodies in the Novel Infinite Jest
title_sort bodies in the novel infinite jest
publisher Frontiers Media S.A.
series Frontiers in Psychology
issn 1664-1078
publishDate 2021-09-01
description This manuscript provides a literary analysis of the use of bodies in the novel Infinite Jest by David Foster Wallace. The novel describes a world where oversaturation of external stimulation leads to the perception of mind and body of self of an individual as prosthetic parts, malleable and deformed, wherein the mind fails to feel bodily sensations and characters experience a complete disconnectedness from the self and others. Indeed, the disembodiment of characters and sensations of disconnection leads them to a compulsive quest for connectedness through the use of masks, made-up feelings, mind–body hybrid pain, corporeal malleability, and prostheses. These portrayals of the disordered and disconnectedness between body and mind or self will be described and compared to clinical conditions characterized by a disconnection between mind and body and impaired body self-awareness. Through this exercise, we argue that the use of scientifically inspired pathologized bodies is a means of conveying the stance of Wallace on or criticism of the degradation of society through excessive entertainment.
topic literature
David Foster Wallace
body self-awareness
embodiment
cognitive science
url https://www.frontiersin.org/articles/10.3389/fpsyg.2021.539555/full
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