Metamorphoses of the Subject: Kandinsky Interpreted by Michel Henry and Henri Maldiney
In this paper I compare how Michel Henry and Henri Maldiney interpret Kandinsky’s heritage. Henry’s phenomenology is based on a distinction between two main modes of manifestation: the ordinary one, that is, the manifestation of the world, and the “manifestation of life.” For him, Kandinsky’s work p...
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| Format: | Article |
| Language: | English |
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Centre for Philosophical Research
2018-09-01
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| Series: | Avant: Journal of Philosophical-Interdisciplinary Vanguard |
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| Online Access: | http://avant.edu.pl/wp-content/uploads/A_Yampolskaya-Metamorphoses.pdf |