A Room of One’s Own’s (Resistance to) Feminist Interpretations and Feminism
This article focuses on A Room of One’s Own’s ambivalent relationship with feminism and feminist literary criticism. Its twofold ambition is to reexamine the essay’s feminist appropriations by mapping out a panorama of the contradictory feminist interpretations of the text and of Woolf’s feminist st...
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Presses Universitaires de la Méditerranée
2020-03-01
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Series: | Études Britanniques Contemporaines |
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Online Access: | http://journals.openedition.org/ebc/9184 |
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doaj-2f55cf456a234b2fb8f876624cc8198b2020-11-25T03:14:58ZengPresses Universitaires de la MéditerranéeÉtudes Britanniques Contemporaines1168-49172020-03-015810.4000/ebc.9184A Room of One’s Own’s (Resistance to) Feminist Interpretations and FeminismValérie FavreThis article focuses on A Room of One’s Own’s ambivalent relationship with feminism and feminist literary criticism. Its twofold ambition is to reexamine the essay’s feminist appropriations by mapping out a panorama of the contradictory feminist interpretations of the text and of Woolf’s feminist stance, and to explore by what means A Room of One’s Own, this highly feminist text, paradoxically resists feminist interpretations and feminism itself. Woolf develops a textual strategy which ‘resists (feminist) direction’ and precludes any definitive feminist interpretations or appropriations of the essay, but also she openly, if partly ironically, disavows feminism, and sketches out an elusive feminism of her own.http://journals.openedition.org/ebc/9184Woolf (Virginia)A Room of One’s Ownfeminism(s)feminist literary criticismreceptioninfluence |
collection |
DOAJ |
language |
English |
format |
Article |
sources |
DOAJ |
author |
Valérie Favre |
spellingShingle |
Valérie Favre A Room of One’s Own’s (Resistance to) Feminist Interpretations and Feminism Études Britanniques Contemporaines Woolf (Virginia) A Room of One’s Own feminism(s) feminist literary criticism reception influence |
author_facet |
Valérie Favre |
author_sort |
Valérie Favre |
title |
A Room of One’s Own’s (Resistance to) Feminist Interpretations and Feminism |
title_short |
A Room of One’s Own’s (Resistance to) Feminist Interpretations and Feminism |
title_full |
A Room of One’s Own’s (Resistance to) Feminist Interpretations and Feminism |
title_fullStr |
A Room of One’s Own’s (Resistance to) Feminist Interpretations and Feminism |
title_full_unstemmed |
A Room of One’s Own’s (Resistance to) Feminist Interpretations and Feminism |
title_sort |
room of one’s own’s (resistance to) feminist interpretations and feminism |
publisher |
Presses Universitaires de la Méditerranée |
series |
Études Britanniques Contemporaines |
issn |
1168-4917 |
publishDate |
2020-03-01 |
description |
This article focuses on A Room of One’s Own’s ambivalent relationship with feminism and feminist literary criticism. Its twofold ambition is to reexamine the essay’s feminist appropriations by mapping out a panorama of the contradictory feminist interpretations of the text and of Woolf’s feminist stance, and to explore by what means A Room of One’s Own, this highly feminist text, paradoxically resists feminist interpretations and feminism itself. Woolf develops a textual strategy which ‘resists (feminist) direction’ and precludes any definitive feminist interpretations or appropriations of the essay, but also she openly, if partly ironically, disavows feminism, and sketches out an elusive feminism of her own. |
topic |
Woolf (Virginia) A Room of One’s Own feminism(s) feminist literary criticism reception influence |
url |
http://journals.openedition.org/ebc/9184 |
work_keys_str_mv |
AT valeriefavre aroomofonesownsresistancetofeministinterpretationsandfeminism AT valeriefavre roomofonesownsresistancetofeministinterpretationsandfeminism |
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