Singing Social Inclusion: Towards the Applicability of German Approaches to Community Building in Australian Choral Music

Germany is a country with a proud musical heritage. Music making in community is Germany’s largest civic activity and there are a vast number of active choirs and choral organisations. Choral singing is valued as a cultural asset and national export. In this article I survey the recent history of ch...

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Bibliographic Details
Main Author: Benjamin Leske
Format: Article
Language:English
Published: GAMUT - Grieg Academy Music Therapy Research Centre (NORCE & University of Bergen) 2016-05-01
Series:Voices
Subjects:
Online Access:https://voices.no/index.php/voices/article/view/2306
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spelling doaj-2ecc7779f6ab4a03bf0155516fe626782020-11-25T01:36:22ZengGAMUT - Grieg Academy Music Therapy Research Centre (NORCE & University of Bergen)Voices1504-16112016-05-0116310.15845/voices.v16i3.852Singing Social Inclusion: Towards the Applicability of German Approaches to Community Building in Australian Choral MusicBenjamin Leske0The University of Melbourne, AustraliaGermany is a country with a proud musical heritage. Music making in community is Germany’s largest civic activity and there are a vast number of active choirs and choral organisations. Choral singing is valued as a cultural asset and national export. In this article I survey the recent history of choral singing in Germany, a civic movement that is expanding and changing beyond traditional understandings of what it means to be a “choir” and with evolving organisational structures supporting its growth. This article summarises findings of a larger 2014 study undertaken for the Australian German Association (AGA) and the Goethe Institut. It offers a number of suggestions for colleagues, leaders, and policy-makers who work in choral music in Australia, a country with a vibrant choral music scene but with much potential to improve its supporting institutional structures. As a community music research project, it may provide wider context for music therapists with an interest in community music therapy in particular. This article was first published in Sing Out (Vol. 32, No. 2, 2015)[1] and is adapted here to share my experiences and findings beyond Australia’s choral music community.https://voices.no/index.php/voices/article/view/2306Community MusicChoral MusicGermanyAustraliaSocial Inclusion
collection DOAJ
language English
format Article
sources DOAJ
author Benjamin Leske
spellingShingle Benjamin Leske
Singing Social Inclusion: Towards the Applicability of German Approaches to Community Building in Australian Choral Music
Voices
Community Music
Choral Music
Germany
Australia
Social Inclusion
author_facet Benjamin Leske
author_sort Benjamin Leske
title Singing Social Inclusion: Towards the Applicability of German Approaches to Community Building in Australian Choral Music
title_short Singing Social Inclusion: Towards the Applicability of German Approaches to Community Building in Australian Choral Music
title_full Singing Social Inclusion: Towards the Applicability of German Approaches to Community Building in Australian Choral Music
title_fullStr Singing Social Inclusion: Towards the Applicability of German Approaches to Community Building in Australian Choral Music
title_full_unstemmed Singing Social Inclusion: Towards the Applicability of German Approaches to Community Building in Australian Choral Music
title_sort singing social inclusion: towards the applicability of german approaches to community building in australian choral music
publisher GAMUT - Grieg Academy Music Therapy Research Centre (NORCE & University of Bergen)
series Voices
issn 1504-1611
publishDate 2016-05-01
description Germany is a country with a proud musical heritage. Music making in community is Germany’s largest civic activity and there are a vast number of active choirs and choral organisations. Choral singing is valued as a cultural asset and national export. In this article I survey the recent history of choral singing in Germany, a civic movement that is expanding and changing beyond traditional understandings of what it means to be a “choir” and with evolving organisational structures supporting its growth. This article summarises findings of a larger 2014 study undertaken for the Australian German Association (AGA) and the Goethe Institut. It offers a number of suggestions for colleagues, leaders, and policy-makers who work in choral music in Australia, a country with a vibrant choral music scene but with much potential to improve its supporting institutional structures. As a community music research project, it may provide wider context for music therapists with an interest in community music therapy in particular. This article was first published in Sing Out (Vol. 32, No. 2, 2015)[1] and is adapted here to share my experiences and findings beyond Australia’s choral music community.
topic Community Music
Choral Music
Germany
Australia
Social Inclusion
url https://voices.no/index.php/voices/article/view/2306
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