Self-analysis, an alternative to theorizing?
In addition to the renowned treatises and articles written by composer-theorists of the twentieth century (e.g., Schoenberg, Boulez or Lachenmann) there is a category of writings by composers that is less known and familiar: self-analysis. We distinguish these texts for their openly subjective/intro...
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| Format: | Article |
| Language: | Portuguese |
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Associação Nacional de Pesquisa e Pós-Graduação em Música
2015-09-01
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| Series: | Opus |
| Online Access: | http://www.anppom.com.br/revista/index.php/opus/article/view/285 |
| Summary: | In addition to the renowned treatises and articles written by composer-theorists of the twentieth century (e.g., Schoenberg, Boulez or Lachenmann) there is a category of writings by composers that is less known and familiar: self-analysis. We distinguish these texts for their openly subjective/introspective, descriptive character situated in the context of a work or specific project. Unlike theoretical texts that develop formal, general (or generalizable) theses, independent of all the particularities of works, self-analysis proposes foremost, accounts of or commentaries on the creative experience of the composer. Through this paper, we introduce and discuss a number of these texts that cover various genres and formats: analysis of the composer’s own music, work diary, and philosophical dialogue. Finally, we question its theoretical potential and relationship to the current development of "research in art". |
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| ISSN: | 0103-7412 1517-7017 |