Showing, Telling and Seeing. Metaphor and “Poetic” Language

Theorists often associate certain “poetic” qualities with metaphor – most especially, producing an open-ended, holistic perspective which is evocative, imagistic and affectively-laden. I argue that, on the one hand, non-cognitivists are wrong to claim that metaphors only produce such perspectives: l...

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Main Author: Elisabeth Camp
Format: Article
Language:English
Published: New Prairie Press 2008-08-01
Series:The Baltic International Yearbook of Cognition, Logic and Communication
Online Access:http://dx.doi.org/10.4148/biyclc.v3i0.20
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spelling doaj-2daec95dffd24ed7b769624c28409e0f2021-06-30T19:33:16ZengNew Prairie PressThe Baltic International Yearbook of Cognition, Logic and Communication1944-36762008-08-01310.4148/biyclc.v3i0.20Showing, Telling and Seeing. Metaphor and “Poetic” LanguageElisabeth CampTheorists often associate certain “poetic” qualities with metaphor – most especially, producing an open-ended, holistic perspective which is evocative, imagistic and affectively-laden. I argue that, on the one hand, non-cognitivists are wrong to claim that metaphors only produce such perspectives: like ordinary literal speech, they also serve to undertake claims and other speech acts with propositional content. On the other hand, contextualists are wrong to assimilate metaphor to literal loose talk: metaphors depend on using one thing as a perspective for thinking about something else. I bring out the distinctive way that metaphor works by contrasting it with two other poetic uses of language, juxtapositions and “telling details,” that do fit the accounts of metaphor offered by non-cognitivists and contextualists, respectively. http://dx.doi.org/10.4148/biyclc.v3i0.20
collection DOAJ
language English
format Article
sources DOAJ
author Elisabeth Camp
spellingShingle Elisabeth Camp
Showing, Telling and Seeing. Metaphor and “Poetic” Language
The Baltic International Yearbook of Cognition, Logic and Communication
author_facet Elisabeth Camp
author_sort Elisabeth Camp
title Showing, Telling and Seeing. Metaphor and “Poetic” Language
title_short Showing, Telling and Seeing. Metaphor and “Poetic” Language
title_full Showing, Telling and Seeing. Metaphor and “Poetic” Language
title_fullStr Showing, Telling and Seeing. Metaphor and “Poetic” Language
title_full_unstemmed Showing, Telling and Seeing. Metaphor and “Poetic” Language
title_sort showing, telling and seeing. metaphor and “poetic” language
publisher New Prairie Press
series The Baltic International Yearbook of Cognition, Logic and Communication
issn 1944-3676
publishDate 2008-08-01
description Theorists often associate certain “poetic” qualities with metaphor – most especially, producing an open-ended, holistic perspective which is evocative, imagistic and affectively-laden. I argue that, on the one hand, non-cognitivists are wrong to claim that metaphors only produce such perspectives: like ordinary literal speech, they also serve to undertake claims and other speech acts with propositional content. On the other hand, contextualists are wrong to assimilate metaphor to literal loose talk: metaphors depend on using one thing as a perspective for thinking about something else. I bring out the distinctive way that metaphor works by contrasting it with two other poetic uses of language, juxtapositions and “telling details,” that do fit the accounts of metaphor offered by non-cognitivists and contextualists, respectively.
url http://dx.doi.org/10.4148/biyclc.v3i0.20
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