Showing, Telling and Seeing. Metaphor and “Poetic” Language

Theorists often associate certain “poetic” qualities with metaphor – most especially, producing an open-ended, holistic perspective which is evocative, imagistic and affectively-laden. I argue that, on the one hand, non-cognitivists are wrong to claim that metaphors only produce such perspectives: l...

Full description

Bibliographic Details
Main Author: Elisabeth Camp
Format: Article
Language:English
Published: New Prairie Press 2008-08-01
Series:The Baltic International Yearbook of Cognition, Logic and Communication
Online Access:http://dx.doi.org/10.4148/biyclc.v3i0.20
Description
Summary:Theorists often associate certain “poetic” qualities with metaphor – most especially, producing an open-ended, holistic perspective which is evocative, imagistic and affectively-laden. I argue that, on the one hand, non-cognitivists are wrong to claim that metaphors only produce such perspectives: like ordinary literal speech, they also serve to undertake claims and other speech acts with propositional content. On the other hand, contextualists are wrong to assimilate metaphor to literal loose talk: metaphors depend on using one thing as a perspective for thinking about something else. I bring out the distinctive way that metaphor works by contrasting it with two other poetic uses of language, juxtapositions and “telling details,” that do fit the accounts of metaphor offered by non-cognitivists and contextualists, respectively.
ISSN:1944-3676