Music Theory, Historically-Informed Performance, and The Significance of Cities
This article examines three recordings from the early heyday of HIP, made around the same time, all of Beethoven’s First Symphony, Op. 21, focusing on its last movement. It isolates the feature of wind/string balance, widely touted at the time as an advantage of the HIP approach, and measures them a...
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| Format: | Article |
| Language: | deu |
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Olms (only printed volumes 2003-2017)
2010-01-01
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| Series: | Zeitschrift der Gesellschaft für Musiktheorie |
| Subjects: | |
| Online Access: | https://storage.gmth.de/zgmth/pdf/571 |