The chronicle as cultural “descolección”. Museum scenes in Pedro Lemebel and María Moreno
The paper addresses Pedro Lemebel´s chronicles entitled “El Museo de Lo Abarca” (2013) and “La muerte de Madonna” (1996), as well as María Moreno´s “Solía [Plaza Dorrego]” (2008) and “Siempre es difícil volver a casa”, establishing a constat interrelasionship with other chronicles of their respectiv...
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| Format: | Article |
| Language: | Spanish |
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Universidad Nacional de Mar del Plata
2020-11-01
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| Series: | Estudios de Teoría Literaria |
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| Online Access: | http://fh.mdp.edu.ar/revistas/index.php/etl/article/view/4469 |