THE MEANINFUL DOMINANT IN THE FEATURE FILM “THE LATE CHILD” (BASED ON THE STORY WRITEN BY A. ALEXIN)
The article touches upon the peculiarities of the screen version of the story “The Late Child” after A. Alexin. The author comes to the conclusion that the film demonstration to the public some ways of meditation upon the text, based on visual symbols, cinema messages, presupposing a deep and multis...
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| Format: | Article |
| Language: | English |
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Peoples’ Friendship University of Russia (RUDN University)
2017-12-01
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| Series: | RUDN Journal of Studies in Literature and Journalism |
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| Online Access: | http://journals.rudn.ru/literary-criticism/article/view/17088 |
| Summary: | The article touches upon the peculiarities of the screen version of the story “The Late Child” after A. Alexin. The author comes to the conclusion that the film demonstration to the public some ways of meditation upon the text, based on visual symbols, cinema messages, presupposing a deep and multisemantic reading of the original text. Multidimential synthesis allows to transfers the deep psychological and artistic value of the story, enriching the plot, adding and meanings. The involvements of music, art and architectural images demonstrate the interaction of creative principals of the writer and the director of the film. |
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| ISSN: | 2312-9220 2312-9247 |