Formas de la dominación social en las ficciones alegóricas y metafóricas realizadas en épocas de la dictadura y la postdictadura en Argentina

During last Argentine militar dictatorship (1976-1983), and first period of the post-dictatorship (1983-1989), the hermetic-metaphoric fictions constituted an alternative cinematographic tendency that showed the main conflicts of that time in a reflexive and critical way. The construction of opaque...

Full description

Bibliographic Details
Main Author: Ana Laura Lusnich
Format: Article
Language:English
Published: Institut des Amériques 2016-06-01
Series:IdeAs : Idées d’Amériques
Subjects:
Online Access:http://journals.openedition.org/ideas/1528
id doaj-2d214c8039af4797aed9f62b6e27ec10
record_format Article
spelling doaj-2d214c8039af4797aed9f62b6e27ec102020-11-24T22:00:33ZengInstitut des AmériquesIdeAs : Idées d’Amériques1950-57012016-06-01710.4000/ideas.1528Formas de la dominación social en las ficciones alegóricas y metafóricas realizadas en épocas de la dictadura y la postdictadura en ArgentinaAna Laura LusnichDuring last Argentine militar dictatorship (1976-1983), and first period of the post-dictatorship (1983-1989), the hermetic-metaphoric fictions constituted an alternative cinematographic tendency that showed the main conflicts of that time in a reflexive and critical way. The construction of opaque tales that evading the realistic-mimetic representation and the primacy of the allegorical and metaphorical operations as constructive principles were two textual features that gave uniqueness to the trend.  With the intention of knowing the permeability of this cinematographic line in respect of the political practices and the situations of terror imposed in the years of non-constitutional governments, the present work proposes to analyze the representation of the domination against individuals and the society, with emphasis in the emplacements and/or the displacements of dramatical subjects and the reference to situations of internal and external exile. The second objective of the paper includes the identification, in these historical situations associated to discipline and social extreme control, of subjectivities characterized by fracture and instability. The development of both aspects will be focused on two outstanding films of the trend: Los miedos [“Fears”] (Alejandro Doria, 1980) and Hay unos tipos abajo [“Some guys downstairs”] (Rafael Filippelli and Emilio Alfaro, 1985).http://journals.openedition.org/ideas/1528Argentine Cinemadictatorshippost-dictatorshipfictionallegorymetaphor
collection DOAJ
language English
format Article
sources DOAJ
author Ana Laura Lusnich
spellingShingle Ana Laura Lusnich
Formas de la dominación social en las ficciones alegóricas y metafóricas realizadas en épocas de la dictadura y la postdictadura en Argentina
IdeAs : Idées d’Amériques
Argentine Cinema
dictatorship
post-dictatorship
fiction
allegory
metaphor
author_facet Ana Laura Lusnich
author_sort Ana Laura Lusnich
title Formas de la dominación social en las ficciones alegóricas y metafóricas realizadas en épocas de la dictadura y la postdictadura en Argentina
title_short Formas de la dominación social en las ficciones alegóricas y metafóricas realizadas en épocas de la dictadura y la postdictadura en Argentina
title_full Formas de la dominación social en las ficciones alegóricas y metafóricas realizadas en épocas de la dictadura y la postdictadura en Argentina
title_fullStr Formas de la dominación social en las ficciones alegóricas y metafóricas realizadas en épocas de la dictadura y la postdictadura en Argentina
title_full_unstemmed Formas de la dominación social en las ficciones alegóricas y metafóricas realizadas en épocas de la dictadura y la postdictadura en Argentina
title_sort formas de la dominación social en las ficciones alegóricas y metafóricas realizadas en épocas de la dictadura y la postdictadura en argentina
publisher Institut des Amériques
series IdeAs : Idées d’Amériques
issn 1950-5701
publishDate 2016-06-01
description During last Argentine militar dictatorship (1976-1983), and first period of the post-dictatorship (1983-1989), the hermetic-metaphoric fictions constituted an alternative cinematographic tendency that showed the main conflicts of that time in a reflexive and critical way. The construction of opaque tales that evading the realistic-mimetic representation and the primacy of the allegorical and metaphorical operations as constructive principles were two textual features that gave uniqueness to the trend.  With the intention of knowing the permeability of this cinematographic line in respect of the political practices and the situations of terror imposed in the years of non-constitutional governments, the present work proposes to analyze the representation of the domination against individuals and the society, with emphasis in the emplacements and/or the displacements of dramatical subjects and the reference to situations of internal and external exile. The second objective of the paper includes the identification, in these historical situations associated to discipline and social extreme control, of subjectivities characterized by fracture and instability. The development of both aspects will be focused on two outstanding films of the trend: Los miedos [“Fears”] (Alejandro Doria, 1980) and Hay unos tipos abajo [“Some guys downstairs”] (Rafael Filippelli and Emilio Alfaro, 1985).
topic Argentine Cinema
dictatorship
post-dictatorship
fiction
allegory
metaphor
url http://journals.openedition.org/ideas/1528
work_keys_str_mv AT analauralusnich formasdeladominacionsocialenlasficcionesalegoricasymetaforicasrealizadasenepocasdeladictaduraylapostdictaduraenargentina
_version_ 1725843872373800960