Two poems about “fabulous autumn” (V. Shalamov, A. Akhmatova)

The article compares the poem «What spring in August?..» by V.Shalamov and «Fabulous autumn has built high dome...» by A. Akhmatova. It is proved that the two poems are dedicated to artistic interpretation of a similar psychological phenomenon – the feeling of spring, which suddenly appears in autum...

Full description

Bibliographic Details
Main Author: Darya V. Krotova
Format: Article
Language:English
Published: Sourthern Federal University 2016-09-01
Series:Izvestiâ Ûžnogo Federalʹnogo Universiteta: Filologičeskie Nauki
Subjects:
Online Access:http://philol-journal.sfedu.ru/index.php/sfuphilol/article/view/932
id doaj-2cd5b5b158504e9ba7ee29d96f3abbd4
record_format Article
spelling doaj-2cd5b5b158504e9ba7ee29d96f3abbd42020-11-25T03:03:16ZengSourthern Federal UniversityIzvestiâ Ûžnogo Federalʹnogo Universiteta: Filologičeskie Nauki1995-06402312-13432016-09-0120163364310.18522/1995-0640-2016-3-36-43Two poems about “fabulous autumn” (V. Shalamov, A. Akhmatova)Darya V. Krotova0Moscow State University, Moscow, Russian FederationThe article compares the poem «What spring in August?..» by V.Shalamov and «Fabulous autumn has built high dome...» by A. Akhmatova. It is proved that the two poems are dedicated to artistic interpretation of a similar psychological phenomenon – the feeling of spring, which suddenly appears in autumn (Shalamov – the eve of the autumn, in August). It is identified and analyzed a common theme as related features, significant differences in the interpretation of the two poets. It is suggested that Shalamov, creating a poem, remembered Akhmatova’s interpretation, as evidenced by its appeal to the characteristic of Akhmatova’s poetic techniques, for example, special semantic load of the final lines of the poem. Akhmatova corresponds to the text and specific stanzas of the poem by Shalamov. It is proved that the “dialogue” with Akhmatova and Shalamov is not accidental, and being in the art world so distant from each other, at first glance, creative people can see not only the obvious differences, but also the depth of intersection. Particular attention is given to the interest of Shalamov to acmeist poetics. It is proved that the closest to Shalamov’s poetry was the realization of laws of acmeism presented in the lyrics by Akhmatova. It is marked in the article parallels of art worlds of Shalamov and Akhmatova and proved how deep Shalamov is connected with the highest achievements of art of the Silver Age.http://philol-journal.sfedu.ru/index.php/sfuphilol/article/view/932Russian literatureXX century poetryShalamovAkhmatovaacmeismtraditionspsycologism
collection DOAJ
language English
format Article
sources DOAJ
author Darya V. Krotova
spellingShingle Darya V. Krotova
Two poems about “fabulous autumn” (V. Shalamov, A. Akhmatova)
Izvestiâ Ûžnogo Federalʹnogo Universiteta: Filologičeskie Nauki
Russian literature
XX century poetry
Shalamov
Akhmatova
acmeism
traditions
psycologism
author_facet Darya V. Krotova
author_sort Darya V. Krotova
title Two poems about “fabulous autumn” (V. Shalamov, A. Akhmatova)
title_short Two poems about “fabulous autumn” (V. Shalamov, A. Akhmatova)
title_full Two poems about “fabulous autumn” (V. Shalamov, A. Akhmatova)
title_fullStr Two poems about “fabulous autumn” (V. Shalamov, A. Akhmatova)
title_full_unstemmed Two poems about “fabulous autumn” (V. Shalamov, A. Akhmatova)
title_sort two poems about “fabulous autumn” (v. shalamov, a. akhmatova)
publisher Sourthern Federal University
series Izvestiâ Ûžnogo Federalʹnogo Universiteta: Filologičeskie Nauki
issn 1995-0640
2312-1343
publishDate 2016-09-01
description The article compares the poem «What spring in August?..» by V.Shalamov and «Fabulous autumn has built high dome...» by A. Akhmatova. It is proved that the two poems are dedicated to artistic interpretation of a similar psychological phenomenon – the feeling of spring, which suddenly appears in autumn (Shalamov – the eve of the autumn, in August). It is identified and analyzed a common theme as related features, significant differences in the interpretation of the two poets. It is suggested that Shalamov, creating a poem, remembered Akhmatova’s interpretation, as evidenced by its appeal to the characteristic of Akhmatova’s poetic techniques, for example, special semantic load of the final lines of the poem. Akhmatova corresponds to the text and specific stanzas of the poem by Shalamov. It is proved that the “dialogue” with Akhmatova and Shalamov is not accidental, and being in the art world so distant from each other, at first glance, creative people can see not only the obvious differences, but also the depth of intersection. Particular attention is given to the interest of Shalamov to acmeist poetics. It is proved that the closest to Shalamov’s poetry was the realization of laws of acmeism presented in the lyrics by Akhmatova. It is marked in the article parallels of art worlds of Shalamov and Akhmatova and proved how deep Shalamov is connected with the highest achievements of art of the Silver Age.
topic Russian literature
XX century poetry
Shalamov
Akhmatova
acmeism
traditions
psycologism
url http://philol-journal.sfedu.ru/index.php/sfuphilol/article/view/932
work_keys_str_mv AT daryavkrotova twopoemsaboutfabulousautumnvshalamovaakhmatova
_version_ 1724686657383301120