| Summary: | The aim of this paper is to offer a layout of Iberian writers who created a body of literary heteronyms throughout their works, in different genres such as poetry, prose and painting. This study is focused on the strategies employed by different authors who were able to create a sensation of realness in their heteronyms. Special attention is paid to contemporary Iberian heteronyms, from Octavi de Romeu—Eugeni d'Ors' creation—to Sabino Ordás' collective work by young Juan Pedro Aparicio, José María Merino and Luis Mateo Díez—, whose portraits contributed to this realness, as did Archivaldo Orson Barnabooth and André Walter's literary portraits, icons of French heteronomy, strongly connected to Spanish heteronyms.
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