Klart slut varulvstjut – den litterära pojkhumorn och exemplet Bert

“Literary boy homour and the books about Bert as an example”. In this article I outline the roots of boy humour in children’s literature. In Swedish tradition this category is intimately associated with the genre “tjuvpojksboken”(stories about young rascals). I argue that one important condition for...

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Main Author: Magnus Öhrn
Format: Article
Language:Danish
Published: Svenska Barnboksinstitutet 2011-11-01
Series:Barnboken: Tidskrift för Barnlitteraturforskning
Subjects:
Online Access:https://www.barnboken.net/index.php/clr/article/view/124
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spelling doaj-2c74a6be4d73412e9d0aeb9e6a52f55a2020-11-25T01:58:46ZdanSvenska BarnboksinstitutetBarnboken: Tidskrift för Barnlitteraturforskning0347-772X2000-43892011-11-0134210.14811/clr.v34i2.124Klart slut varulvstjut – den litterära pojkhumorn och exemplet BertMagnus Öhrn“Literary boy homour and the books about Bert as an example”. In this article I outline the roots of boy humour in children’s literature. In Swedish tradition this category is intimately associated with the genre “tjuvpojksboken”(stories about young rascals). I argue that one important condition for the development of a humour of this kind, are the concept of the boy as a gentle savage, a central character in boyology. A discourse comprising descriptive and prescriptive writing on boyhood across a variety of genres. In Making American Boys (2004) Kenneth B. Kidd shows how the boyologists of the early twentieth century reworked themes and tropes they picked up from the American Boy Book (like Aldrich, Twain, and Tarkington); foremost the idea of the wildness of boys as a necessary step in becoming a man. Another important condition for boy humour is that the stories are told from the boy’s perspective, which in turn makes way for different boy’s discourses, such as “slanguage”. After examining the issue from a historical point-of-view, I turn to Anders Jacobsson’s and Sören Olsson’s popular books about the boy Bert (23 books between 1987–2010), with focus on the first title Berts dagbok [Bert’s diary]. Here I concentrate on three characteristic features: the carnivalesque degrading of the adult world, the grotesque realism (the world interpreted through the boy’s bodily experience), and play on words, such as rhymes, puns, jokes and deliberately misreading of foreign and difficult words. My point is that the readers (boys) through channels like this, learn the humorous discourse and that it creates intimate bonds between the narrator and the readers. Keywords: boy humour, boyology, bad boy books, Anders Jacobsson & Sören Olsson https://www.barnboken.net/index.php/clr/article/view/124boy humourboyologybad boy booksAnders Jacobsson & Sören Olsson
collection DOAJ
language Danish
format Article
sources DOAJ
author Magnus Öhrn
spellingShingle Magnus Öhrn
Klart slut varulvstjut – den litterära pojkhumorn och exemplet Bert
Barnboken: Tidskrift för Barnlitteraturforskning
boy humour
boyology
bad boy books
Anders Jacobsson & Sören Olsson
author_facet Magnus Öhrn
author_sort Magnus Öhrn
title Klart slut varulvstjut – den litterära pojkhumorn och exemplet Bert
title_short Klart slut varulvstjut – den litterära pojkhumorn och exemplet Bert
title_full Klart slut varulvstjut – den litterära pojkhumorn och exemplet Bert
title_fullStr Klart slut varulvstjut – den litterära pojkhumorn och exemplet Bert
title_full_unstemmed Klart slut varulvstjut – den litterära pojkhumorn och exemplet Bert
title_sort klart slut varulvstjut – den litterära pojkhumorn och exemplet bert
publisher Svenska Barnboksinstitutet
series Barnboken: Tidskrift för Barnlitteraturforskning
issn 0347-772X
2000-4389
publishDate 2011-11-01
description “Literary boy homour and the books about Bert as an example”. In this article I outline the roots of boy humour in children’s literature. In Swedish tradition this category is intimately associated with the genre “tjuvpojksboken”(stories about young rascals). I argue that one important condition for the development of a humour of this kind, are the concept of the boy as a gentle savage, a central character in boyology. A discourse comprising descriptive and prescriptive writing on boyhood across a variety of genres. In Making American Boys (2004) Kenneth B. Kidd shows how the boyologists of the early twentieth century reworked themes and tropes they picked up from the American Boy Book (like Aldrich, Twain, and Tarkington); foremost the idea of the wildness of boys as a necessary step in becoming a man. Another important condition for boy humour is that the stories are told from the boy’s perspective, which in turn makes way for different boy’s discourses, such as “slanguage”. After examining the issue from a historical point-of-view, I turn to Anders Jacobsson’s and Sören Olsson’s popular books about the boy Bert (23 books between 1987–2010), with focus on the first title Berts dagbok [Bert’s diary]. Here I concentrate on three characteristic features: the carnivalesque degrading of the adult world, the grotesque realism (the world interpreted through the boy’s bodily experience), and play on words, such as rhymes, puns, jokes and deliberately misreading of foreign and difficult words. My point is that the readers (boys) through channels like this, learn the humorous discourse and that it creates intimate bonds between the narrator and the readers. Keywords: boy humour, boyology, bad boy books, Anders Jacobsson & Sören Olsson
topic boy humour
boyology
bad boy books
Anders Jacobsson & Sören Olsson
url https://www.barnboken.net/index.php/clr/article/view/124
work_keys_str_mv AT magnusohrn klartslutvarulvstjutdenlitterarapojkhumornochexempletbert
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