Intertextualité et forme dans le roman caribéen-canadien : de l’écriture dystopique de Neil Bissoondath au roman polysystémique de Ramabai Espinet

This study investigates the modes of intertextuality at play in the writing of Ramabai Espinet’s novel The Swinging Bridge. It proposes to approach the intertextuality between this work and A Casual Brutality and The Worlds Within Her as refunctioning of the issues de...

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Main Author: Rodolphe Solbiac
Format: Article
Language:English
Published: Maison de la Recherche en Sciences Humaines 2013-11-01
Series:Revue LISA
Subjects:
Online Access:http://journals.openedition.org/lisa/6340
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spelling doaj-2c681670ee1945f7b9c4f3de50c22f232021-10-02T01:43:09ZengMaison de la Recherche en Sciences HumainesRevue LISA1762-61532013-11-01Intertextualité et forme dans le roman caribéen-canadien : de l’écriture dystopique de Neil Bissoondath au roman polysystémique de Ramabai EspinetRodolphe SolbiacThis study investigates the modes of intertextuality at play in the writing of Ramabai Espinet’s novel The Swinging Bridge. It proposes to approach the intertextuality between this work and A Casual Brutality and The Worlds Within Her as refunctioning of the issues dealt with by Neil Bissoondath. It argues that Espinet reworks texts of the history of Trinidad and Tobago as well as Bissoondath’s fiction texts. It demonstrates that The Swinging Bridge constitutes a literary polysystem that responds to Bissoondath’s dystopian fiction and reconstruction of history which promotes cultural hybridity and diasporic belongings as alternatives to cultural conflict and dislocation.http://journals.openedition.org/lisa/6340dystopiapolysystemmetafictionautoethnographymemorycultural conflict
collection DOAJ
language English
format Article
sources DOAJ
author Rodolphe Solbiac
spellingShingle Rodolphe Solbiac
Intertextualité et forme dans le roman caribéen-canadien : de l’écriture dystopique de Neil Bissoondath au roman polysystémique de Ramabai Espinet
Revue LISA
dystopia
polysystem
metafiction
autoethnography
memory
cultural conflict
author_facet Rodolphe Solbiac
author_sort Rodolphe Solbiac
title Intertextualité et forme dans le roman caribéen-canadien : de l’écriture dystopique de Neil Bissoondath au roman polysystémique de Ramabai Espinet
title_short Intertextualité et forme dans le roman caribéen-canadien : de l’écriture dystopique de Neil Bissoondath au roman polysystémique de Ramabai Espinet
title_full Intertextualité et forme dans le roman caribéen-canadien : de l’écriture dystopique de Neil Bissoondath au roman polysystémique de Ramabai Espinet
title_fullStr Intertextualité et forme dans le roman caribéen-canadien : de l’écriture dystopique de Neil Bissoondath au roman polysystémique de Ramabai Espinet
title_full_unstemmed Intertextualité et forme dans le roman caribéen-canadien : de l’écriture dystopique de Neil Bissoondath au roman polysystémique de Ramabai Espinet
title_sort intertextualité et forme dans le roman caribéen-canadien : de l’écriture dystopique de neil bissoondath au roman polysystémique de ramabai espinet
publisher Maison de la Recherche en Sciences Humaines
series Revue LISA
issn 1762-6153
publishDate 2013-11-01
description This study investigates the modes of intertextuality at play in the writing of Ramabai Espinet’s novel The Swinging Bridge. It proposes to approach the intertextuality between this work and A Casual Brutality and The Worlds Within Her as refunctioning of the issues dealt with by Neil Bissoondath. It argues that Espinet reworks texts of the history of Trinidad and Tobago as well as Bissoondath’s fiction texts. It demonstrates that The Swinging Bridge constitutes a literary polysystem that responds to Bissoondath’s dystopian fiction and reconstruction of history which promotes cultural hybridity and diasporic belongings as alternatives to cultural conflict and dislocation.
topic dystopia
polysystem
metafiction
autoethnography
memory
cultural conflict
url http://journals.openedition.org/lisa/6340
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