The Survival of Faith in Solzhenitsyn’s One Day in the Life of Ivan Denisovich and “Matryona’s House”
Faith is a vital element in the works of Nobel laureate Alexander Solzhenitsyn, a Russian writer who experienced the notorious Gulag and difficultly in a strongly atheistic country. However, faith is never a simplistic topic for Solzhenitsyn, especially writing in a time when religion was officially...
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Petra Christian University
2019-06-01
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doaj-2c67a9ffdaa445998c47277259bc29752020-11-25T01:29:44ZengPetra Christian UniversityK@ta: A Biannual Publication on the Study of Language and Literature1411-26392019-06-01211425010.9744/kata.21.1.42-5019238The Survival of Faith in Solzhenitsyn’s One Day in the Life of Ivan Denisovich and “Matryona’s House”Wawan Eko Yulianto0Universitas Ma ChungFaith is a vital element in the works of Nobel laureate Alexander Solzhenitsyn, a Russian writer who experienced the notorious Gulag and difficultly in a strongly atheistic country. However, faith is never a simplistic topic for Solzhenitsyn, especially writing in a time when religion was officially shoved aside from the public discourse. In the light of a set of views on religion inferred from Terry Eagleton’s essay, this paper aims to explain the anomalous religiosity as seen in the narrators of Solzhenitsyn’s novel One Day in the Life of Ivan Denisovich and short story “Matryona’s House.” According to the Eagleton’s model, there are three stages of religiosity, namely, 1) omission of religion’s otherworldly and pure ritualistic elements, 2) acceptance of mentally-empowering potentials of religion, and 3) internalization of the humanistic values of religion. The analysis concludes with a notion that One Day in the Life of Ivan Denisovich and “Matryona’s House” represent an evolution of faith that has gone through a period of challenge. On a sidenote, the analysis also confirms the dialogic nature of Solzhenitsyn’s works, in which one topic is presented through contradictory voices.http://kata.petra.ac.id/index.php/ing/article/view/19238faithritualistic elementsmental empowermenthumanistic valuesrussian literature |
collection |
DOAJ |
language |
English |
format |
Article |
sources |
DOAJ |
author |
Wawan Eko Yulianto |
spellingShingle |
Wawan Eko Yulianto The Survival of Faith in Solzhenitsyn’s One Day in the Life of Ivan Denisovich and “Matryona’s House” K@ta: A Biannual Publication on the Study of Language and Literature faith ritualistic elements mental empowerment humanistic values russian literature |
author_facet |
Wawan Eko Yulianto |
author_sort |
Wawan Eko Yulianto |
title |
The Survival of Faith in Solzhenitsyn’s One Day in the Life of Ivan Denisovich and “Matryona’s House” |
title_short |
The Survival of Faith in Solzhenitsyn’s One Day in the Life of Ivan Denisovich and “Matryona’s House” |
title_full |
The Survival of Faith in Solzhenitsyn’s One Day in the Life of Ivan Denisovich and “Matryona’s House” |
title_fullStr |
The Survival of Faith in Solzhenitsyn’s One Day in the Life of Ivan Denisovich and “Matryona’s House” |
title_full_unstemmed |
The Survival of Faith in Solzhenitsyn’s One Day in the Life of Ivan Denisovich and “Matryona’s House” |
title_sort |
survival of faith in solzhenitsyn’s one day in the life of ivan denisovich and “matryona’s house” |
publisher |
Petra Christian University |
series |
K@ta: A Biannual Publication on the Study of Language and Literature |
issn |
1411-2639 |
publishDate |
2019-06-01 |
description |
Faith is a vital element in the works of Nobel laureate Alexander Solzhenitsyn, a Russian writer who experienced the notorious Gulag and difficultly in a strongly atheistic country. However, faith is never a simplistic topic for Solzhenitsyn, especially writing in a time when religion was officially shoved aside from the public discourse. In the light of a set of views on religion inferred from Terry Eagleton’s essay, this paper aims to explain the anomalous religiosity as seen in the narrators of Solzhenitsyn’s novel One Day in the Life of Ivan Denisovich and short story “Matryona’s House.” According to the Eagleton’s model, there are three stages of religiosity, namely, 1) omission of religion’s otherworldly and pure ritualistic elements, 2) acceptance of mentally-empowering potentials of religion, and 3) internalization of the humanistic values of religion. The analysis concludes with a notion that One Day in the Life of Ivan Denisovich and “Matryona’s House” represent an evolution of faith that has gone through a period of challenge. On a sidenote, the analysis also confirms the dialogic nature of Solzhenitsyn’s works, in which one topic is presented through contradictory voices. |
topic |
faith ritualistic elements mental empowerment humanistic values russian literature |
url |
http://kata.petra.ac.id/index.php/ing/article/view/19238 |
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