Follow the Light
In this article we compare the language of light used by Dante Alighieri with the one used by his “heretical” contemporary Marguerite dicta Porete (†1310) to express the final contact- vision of God. We will analyze both authors’ use of the images of light, of the gradual ascent and of the knot, pl...
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Universidad Complutense de Madrid
2014-09-01
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Online Access: | https://revistas.ucm.es/index.php/EIKO/article/view/73397 |
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doaj-2c29809e3e3d46029262e15d6178834b2021-06-03T08:58:53ZengUniversidad Complutense de MadridEikón Imago2254-87182014-09-013210.5209/eiko.73397Follow the LightPablo Acosta-García In this article we compare the language of light used by Dante Alighieri with the one used by his “heretical” contemporary Marguerite dicta Porete (†1310) to express the final contact- vision of God. We will analyze both authors’ use of the images of light, of the gradual ascent and of the knot, placing their books in the context of the theological doctrines concerning the visio Dei in the 14th century. This will allow us to posit the authors’ shared eschatological background based on the conception of God as a visible being who radiates his love and knowledge through the created universe. In conclusion, we will discuss the visual and narrative strategies these authors employed in order to express a relationship with the divine, focusing on the historical heterodox implications of the Commedia and the Mirouer. https://revistas.ucm.es/index.php/EIKO/article/view/73397Dante AlighieriDivina CommediaMarguerite PoreteMirouer des simples amesmedieval Eschatologylumen gloriae |
collection |
DOAJ |
language |
English |
format |
Article |
sources |
DOAJ |
author |
Pablo Acosta-García |
spellingShingle |
Pablo Acosta-García Follow the Light Eikón Imago Dante Alighieri Divina Commedia Marguerite Porete Mirouer des simples ames medieval Eschatology lumen gloriae |
author_facet |
Pablo Acosta-García |
author_sort |
Pablo Acosta-García |
title |
Follow the Light |
title_short |
Follow the Light |
title_full |
Follow the Light |
title_fullStr |
Follow the Light |
title_full_unstemmed |
Follow the Light |
title_sort |
follow the light |
publisher |
Universidad Complutense de Madrid |
series |
Eikón Imago |
issn |
2254-8718 |
publishDate |
2014-09-01 |
description |
In this article we compare the language of light used by Dante Alighieri with the one used by his “heretical” contemporary Marguerite dicta Porete (†1310) to express the final contact- vision of God. We will analyze both authors’ use of the images of light, of the gradual ascent and of the knot, placing their books in the context of the theological doctrines concerning the visio Dei in the 14th century. This will allow us to posit the authors’ shared eschatological background based on the conception of God as a visible being who radiates his love and knowledge through the created universe. In conclusion, we will discuss the visual and narrative strategies these authors employed in order to express a relationship with the divine, focusing on the historical heterodox implications of the Commedia and the Mirouer.
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topic |
Dante Alighieri Divina Commedia Marguerite Porete Mirouer des simples ames medieval Eschatology lumen gloriae |
url |
https://revistas.ucm.es/index.php/EIKO/article/view/73397 |
work_keys_str_mv |
AT pabloacostagarcia followthelight |
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1721399328544653312 |