Tuning Procedures in Ancient Iraq
A manual for tuning a lyre/harp from ancient Iraq (or "Mesopotamia"), dating to the early second millenium BCE, uses a cyclical procedure of tuning pairs of strings (dichords). It is the earliest known example of music theory, predating anything comparable from other cultures by approximat...
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Analytical Approaches to World Music
2013-07-01
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Series: | Analytical Approaches to World Music |
Online Access: | http://aawmjournal.com/articles/2013b/Mirelman_AAWM_Vol_2_2.pdf |
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doaj-2c234966685e443bbd8c7b8b5e69f53e2020-11-25T03:09:15ZengAnalytical Approaches to World MusicAnalytical Approaches to World Music2158-52962013-07-01224356Tuning Procedures in Ancient IraqMirelman, Sam0SOAS, University of LondonA manual for tuning a lyre/harp from ancient Iraq (or "Mesopotamia"), dating to the early second millenium BCE, uses a cyclical procedure of tuning pairs of strings (dichords). It is the earliest known example of music theory, predating anything comparable from other cultures by approximately one millenium. This manual enables a lyre/harp player to use a diagnostic method of determining the current mode or tuning of the lyre; it directs the musician to transform the instrument from one mode to another, through a series of tightening or loosening dichords (pairs of open strings). The tuning procedure, which may more accurately be called a modulation procedure, is clearly cyclical. The text employs a complex and precise terminology for strings, dichords and modes. This paper presents a step by step analysis of the tuning procedure as described in this ancient text, which has recently been supplemented by the identification of a new manuscript. In addition, it attempts to outline the basic characteristics of the Mesopotamian tuning system as revealed by the tuning text.http://aawmjournal.com/articles/2013b/Mirelman_AAWM_Vol_2_2.pdf |
collection |
DOAJ |
language |
English |
format |
Article |
sources |
DOAJ |
author |
Mirelman, Sam |
spellingShingle |
Mirelman, Sam Tuning Procedures in Ancient Iraq Analytical Approaches to World Music |
author_facet |
Mirelman, Sam |
author_sort |
Mirelman, Sam |
title |
Tuning Procedures in Ancient Iraq |
title_short |
Tuning Procedures in Ancient Iraq |
title_full |
Tuning Procedures in Ancient Iraq |
title_fullStr |
Tuning Procedures in Ancient Iraq |
title_full_unstemmed |
Tuning Procedures in Ancient Iraq |
title_sort |
tuning procedures in ancient iraq |
publisher |
Analytical Approaches to World Music |
series |
Analytical Approaches to World Music |
issn |
2158-5296 |
publishDate |
2013-07-01 |
description |
A manual for tuning a lyre/harp from ancient Iraq (or "Mesopotamia"), dating to the early second millenium BCE, uses a cyclical procedure of tuning pairs of strings (dichords). It is the earliest known example of music theory, predating anything comparable from other cultures by approximately one millenium. This manual enables a lyre/harp player to use a diagnostic method of determining the current mode or tuning of the lyre; it directs the musician to transform the instrument from one mode to another, through a series of tightening or loosening dichords (pairs of open strings). The tuning procedure, which may more accurately be called a modulation procedure, is clearly cyclical. The text employs a complex and precise terminology for strings, dichords and modes. This paper presents a step by step analysis of the tuning procedure as described in this ancient text, which has recently been supplemented by the identification of a new manuscript. In addition, it attempts to outline the basic characteristics of the Mesopotamian tuning system as revealed by the tuning text. |
url |
http://aawmjournal.com/articles/2013b/Mirelman_AAWM_Vol_2_2.pdf |
work_keys_str_mv |
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