Fictions and Frictions of the "Panama Roughneck": Literary Depictions of White, US Labor in the Canal Zone

<p>This essay expands the critical conversation on race, labor, and literature in the Panama Canal Zone by foregrounding the portrayal of white, U.S. workers in two popular texts, Harry A. Franck’s <em>Zone Policeman </em>(1913) and John Hall’s <em>Panama Roughneck Ballads<...

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Main Author: Sunny Yang
Format: Article
Language:English
Published: eScholarship Publishing, University of California 2017-10-01
Series:Journal of Transnational American Studies
Subjects:
Online Access:http://escholarship.org/uc/item/2135q8gx
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spelling doaj-2c16c076f5ba4993a7265543ed9d2ac42020-12-15T08:16:48ZengeScholarship Publishing, University of CaliforniaJournal of Transnational American Studies1940-07642017-10-0181ark:13030/qt2135q8gxFictions and Frictions of the "Panama Roughneck": Literary Depictions of White, US Labor in the Canal ZoneSunny Yang0Louisiana State University<p>This essay expands the critical conversation on race, labor, and literature in the Panama Canal Zone by foregrounding the portrayal of white, U.S. workers in two popular texts, Harry A. Franck’s <em>Zone Policeman </em>(1913) and John Hall’s <em>Panama Roughneck Ballads</em> (1912). While existing scholarship has detailed the legal and economic policies that shaped the United States’ racialized form of labor management, the “gold and silver system,” in the Zone, it has largely ignored the literary discourse that emerged in response to the system’s incongruous values. This essay argues that literary depictions of white, American canal workers as hyper-masculine and hyper-productive “Panama roughnecks” rhetorically rationalized the gold and silver system’s privileging of white, US workers, while also producing narratives that destabilized its hierarchies of race, nationality, and skill set. These narratives also engendered new forms of identification that evaded or reimagined normative American understandings of race, genealogy, and national affiliation.</p>http://escholarship.org/uc/item/2135q8gxpanama canal zoneus empireraceroughneckgold and silver system
collection DOAJ
language English
format Article
sources DOAJ
author Sunny Yang
spellingShingle Sunny Yang
Fictions and Frictions of the "Panama Roughneck": Literary Depictions of White, US Labor in the Canal Zone
Journal of Transnational American Studies
panama canal zone
us empire
race
roughneck
gold and silver system
author_facet Sunny Yang
author_sort Sunny Yang
title Fictions and Frictions of the "Panama Roughneck": Literary Depictions of White, US Labor in the Canal Zone
title_short Fictions and Frictions of the "Panama Roughneck": Literary Depictions of White, US Labor in the Canal Zone
title_full Fictions and Frictions of the "Panama Roughneck": Literary Depictions of White, US Labor in the Canal Zone
title_fullStr Fictions and Frictions of the "Panama Roughneck": Literary Depictions of White, US Labor in the Canal Zone
title_full_unstemmed Fictions and Frictions of the "Panama Roughneck": Literary Depictions of White, US Labor in the Canal Zone
title_sort fictions and frictions of the "panama roughneck": literary depictions of white, us labor in the canal zone
publisher eScholarship Publishing, University of California
series Journal of Transnational American Studies
issn 1940-0764
publishDate 2017-10-01
description <p>This essay expands the critical conversation on race, labor, and literature in the Panama Canal Zone by foregrounding the portrayal of white, U.S. workers in two popular texts, Harry A. Franck’s <em>Zone Policeman </em>(1913) and John Hall’s <em>Panama Roughneck Ballads</em> (1912). While existing scholarship has detailed the legal and economic policies that shaped the United States’ racialized form of labor management, the “gold and silver system,” in the Zone, it has largely ignored the literary discourse that emerged in response to the system’s incongruous values. This essay argues that literary depictions of white, American canal workers as hyper-masculine and hyper-productive “Panama roughnecks” rhetorically rationalized the gold and silver system’s privileging of white, US workers, while also producing narratives that destabilized its hierarchies of race, nationality, and skill set. These narratives also engendered new forms of identification that evaded or reimagined normative American understandings of race, genealogy, and national affiliation.</p>
topic panama canal zone
us empire
race
roughneck
gold and silver system
url http://escholarship.org/uc/item/2135q8gx
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