The Representation of Staircases in Italian Treatises from the Sixteenth to Eighteenth Centuries

The representation of the staircase is part of the more general theme of architectural drawing. Since ancient times, the designing of the staircase has been worthy of attention, due to both its useful function in overcoming the differences in floors as well as the not immediate mental visualization...

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Main Author: Vincenzo Cirillo
Format: Article
Language:English
Published: UID 2018-12-01
Series:Diségno
Subjects:
Online Access:https://disegno.unioneitalianadisegno.it/index.php/disegno/article/view/137
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spelling doaj-2c16b4201ff64b77bb3da904143411852020-11-24T21:17:53ZengUIDDiségno2533-28992018-12-01317718810.26375/disegno.3.2018.17137The Representation of Staircases in Italian Treatises from the Sixteenth to Eighteenth CenturiesVincenzo Cirillo0Department of Architecture and Industrial Design, Università degli Studi della Campania “Luigi Vanvitelli”The representation of the staircase is part of the more general theme of architectural drawing. Since ancient times, the designing of the staircase has been worthy of attention, due to both its useful function in overcoming the differences in floors as well as the not immediate mental visualization for articulated spatial solutions; as a consequence, its graphic representation is just as difficult. It has therefore been interesting to investigate this theme by researching it in the Italian treatises that, from the sixteenth to eighteenth centuries, both in literal and graphic form, welcomed and manifested the debate on the designing of staircases. The aforementioned theme was carried out through the analysis of the sources contained in the treaties of Serlio, Palladio, Vignola (commented by Danti), Scamozzi, Guarini and Vittone. Working through the similarities and differences, the ways of describing the staircase have been highlighted and the results placed in the historical-scientific contexts of reference in relation to the geometric coding of the methods of representation. Without prejudice to the common use of drawing as a conceptual conception of visual synthesis, aimed at creativity, knowledge and communication, the reading of the sources has confirmed, on the part of the treatises, the existence of a critical choice of the most appropriate geometric methods of representation (although not yet scientifically codified) or exemptions from them to better describe the spatial qualities of a complex architectural element such as the staircase.https://disegno.unioneitalianadisegno.it/index.php/disegno/article/view/137staircasetreatisegeometric representation methodsgraphic techniquesmodelling
collection DOAJ
language English
format Article
sources DOAJ
author Vincenzo Cirillo
spellingShingle Vincenzo Cirillo
The Representation of Staircases in Italian Treatises from the Sixteenth to Eighteenth Centuries
Diségno
staircase
treatise
geometric representation methods
graphic techniques
modelling
author_facet Vincenzo Cirillo
author_sort Vincenzo Cirillo
title The Representation of Staircases in Italian Treatises from the Sixteenth to Eighteenth Centuries
title_short The Representation of Staircases in Italian Treatises from the Sixteenth to Eighteenth Centuries
title_full The Representation of Staircases in Italian Treatises from the Sixteenth to Eighteenth Centuries
title_fullStr The Representation of Staircases in Italian Treatises from the Sixteenth to Eighteenth Centuries
title_full_unstemmed The Representation of Staircases in Italian Treatises from the Sixteenth to Eighteenth Centuries
title_sort representation of staircases in italian treatises from the sixteenth to eighteenth centuries
publisher UID
series Diségno
issn 2533-2899
publishDate 2018-12-01
description The representation of the staircase is part of the more general theme of architectural drawing. Since ancient times, the designing of the staircase has been worthy of attention, due to both its useful function in overcoming the differences in floors as well as the not immediate mental visualization for articulated spatial solutions; as a consequence, its graphic representation is just as difficult. It has therefore been interesting to investigate this theme by researching it in the Italian treatises that, from the sixteenth to eighteenth centuries, both in literal and graphic form, welcomed and manifested the debate on the designing of staircases. The aforementioned theme was carried out through the analysis of the sources contained in the treaties of Serlio, Palladio, Vignola (commented by Danti), Scamozzi, Guarini and Vittone. Working through the similarities and differences, the ways of describing the staircase have been highlighted and the results placed in the historical-scientific contexts of reference in relation to the geometric coding of the methods of representation. Without prejudice to the common use of drawing as a conceptual conception of visual synthesis, aimed at creativity, knowledge and communication, the reading of the sources has confirmed, on the part of the treatises, the existence of a critical choice of the most appropriate geometric methods of representation (although not yet scientifically codified) or exemptions from them to better describe the spatial qualities of a complex architectural element such as the staircase.
topic staircase
treatise
geometric representation methods
graphic techniques
modelling
url https://disegno.unioneitalianadisegno.it/index.php/disegno/article/view/137
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