Sur deux esthétiques baroques : le mouvement de l’Histoire dans Richard III de Shakespeare et Marie Stuard de Regnault

This essay deals with two historical dramas, Shakespeare’s Tragedy of King Richard the Third, and Charles Regnault’s Marie Stuard. In order to understand why and how they could be termed baroque, this essay studies the representation of « historical motion » on several levels — in the plots, in the...

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Main Author: Anne Teulade
Format: Article
Language:English
Published: Institut du Monde Anglophone 2006-04-01
Series:Etudes Epistémè
Online Access:http://journals.openedition.org/episteme/2594
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spelling doaj-2bc5108cd76843beb1545eff30daf4912020-11-24T21:47:06ZengInstitut du Monde AnglophoneEtudes Epistémè1634-04502006-04-01910.4000/episteme.2594Sur deux esthétiques baroques : le mouvement de l’Histoire dans Richard III de Shakespeare et Marie Stuard de RegnaultAnne TeuladeThis essay deals with two historical dramas, Shakespeare’s Tragedy of King Richard the Third, and Charles Regnault’s Marie Stuard. In order to understand why and how they could be termed baroque, this essay studies the representation of « historical motion » on several levels — in the plots, in the words of the characters and in the virtual images they convey — and aims at demonstrating that the two plays are baroque precisely because the temporality represented on stage and the vision of time as it is formulated by the characters are of a different kind: the narrative material overflows the dramatic form.http://journals.openedition.org/episteme/2594
collection DOAJ
language English
format Article
sources DOAJ
author Anne Teulade
spellingShingle Anne Teulade
Sur deux esthétiques baroques : le mouvement de l’Histoire dans Richard III de Shakespeare et Marie Stuard de Regnault
Etudes Epistémè
author_facet Anne Teulade
author_sort Anne Teulade
title Sur deux esthétiques baroques : le mouvement de l’Histoire dans Richard III de Shakespeare et Marie Stuard de Regnault
title_short Sur deux esthétiques baroques : le mouvement de l’Histoire dans Richard III de Shakespeare et Marie Stuard de Regnault
title_full Sur deux esthétiques baroques : le mouvement de l’Histoire dans Richard III de Shakespeare et Marie Stuard de Regnault
title_fullStr Sur deux esthétiques baroques : le mouvement de l’Histoire dans Richard III de Shakespeare et Marie Stuard de Regnault
title_full_unstemmed Sur deux esthétiques baroques : le mouvement de l’Histoire dans Richard III de Shakespeare et Marie Stuard de Regnault
title_sort sur deux esthétiques baroques : le mouvement de l’histoire dans richard iii de shakespeare et marie stuard de regnault
publisher Institut du Monde Anglophone
series Etudes Epistémè
issn 1634-0450
publishDate 2006-04-01
description This essay deals with two historical dramas, Shakespeare’s Tragedy of King Richard the Third, and Charles Regnault’s Marie Stuard. In order to understand why and how they could be termed baroque, this essay studies the representation of « historical motion » on several levels — in the plots, in the words of the characters and in the virtual images they convey — and aims at demonstrating that the two plays are baroque precisely because the temporality represented on stage and the vision of time as it is formulated by the characters are of a different kind: the narrative material overflows the dramatic form.
url http://journals.openedition.org/episteme/2594
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