«The Passion for Order». Virtual Convergences in the Allegorical Linealismo of «Two Angels and a Holy Archbishop» and in the Theological Symbolism of the Calderonian auto sacramental

«The Passion for Order». Virtual Convergences in the Allegorical Linealismo of «Two Angels and a Holy Archbishop» and in the Theological Symbolism of the Calderonian auto sacramental

«The passion for order» that characterizes the Caledonian works can be seen in the optics capacity of the dramatist to produce auto sacramentales that maintain a direct correlation with the preceding pictorial works. In this line of analysis, this study presents the convergence between the allegoric...

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Main Author: Martha García
Format: Article
Language:English
Published: Instituto de Estudios Auriseculares (IDEA) 2017-05-01
Series:Hipogrifo: Revista de Literatura y Cultura del Siglo de Oro
Online Access:http://revistahipogrifo.com/index.php/hipogrifo/article/view/198
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spelling doaj-2bbc4a13320a4a2e8d88b8f246bec78f2020-11-25T00:12:18ZengInstituto de Estudios Auriseculares (IDEA)Hipogrifo: Revista de Literatura y Cultura del Siglo de Oro2328-13082017-05-015123324710.13035/H.2017.05.01.15181«The Passion for Order». Virtual Convergences in the Allegorical Linealismo of «Two Angels and a Holy Archbishop» and in the Theological Symbolism of the Calderonian auto sacramentalMartha García0University of Central Florida«The passion for order» that characterizes the Caledonian works can be seen in the optics capacity of the dramatist to produce auto sacramentales that maintain a direct correlation with the preceding pictorial works. In this line of analysis, this study presents the convergence between the allegorical linealismo visibly present in the Roman mural paintings of the region of Castile and León in Two Angels and a Holy Archbishop of anonymous artist found in the Hermitage of the Vera Cruz de Maderuelo, Segovia, of the twelfth century Spain, and the implied significance of the symbolism represented in the scenic sketches of the auto sacramental The Immunity of Consecrated Ground by Pedro Calderón de la Barca written in the early modern Spain.http://revistahipogrifo.com/index.php/hipogrifo/article/view/198
collection DOAJ
language English
format Article
sources DOAJ
author Martha García
spellingShingle Martha García
«The Passion for Order». Virtual Convergences in the Allegorical Linealismo of «Two Angels and a Holy Archbishop» and in the Theological Symbolism of the Calderonian auto sacramental
Hipogrifo: Revista de Literatura y Cultura del Siglo de Oro
author_facet Martha García
author_sort Martha García
title «The Passion for Order». Virtual Convergences in the Allegorical Linealismo of «Two Angels and a Holy Archbishop» and in the Theological Symbolism of the Calderonian auto sacramental
title_short «The Passion for Order». Virtual Convergences in the Allegorical Linealismo of «Two Angels and a Holy Archbishop» and in the Theological Symbolism of the Calderonian auto sacramental
title_full «The Passion for Order». Virtual Convergences in the Allegorical Linealismo of «Two Angels and a Holy Archbishop» and in the Theological Symbolism of the Calderonian auto sacramental
title_fullStr «The Passion for Order». Virtual Convergences in the Allegorical Linealismo of «Two Angels and a Holy Archbishop» and in the Theological Symbolism of the Calderonian auto sacramental
title_full_unstemmed «The Passion for Order». Virtual Convergences in the Allegorical Linealismo of «Two Angels and a Holy Archbishop» and in the Theological Symbolism of the Calderonian auto sacramental
title_sort «the passion for order». virtual convergences in the allegorical linealismo of «two angels and a holy archbishop» and in the theological symbolism of the calderonian auto sacramental
publisher Instituto de Estudios Auriseculares (IDEA)
series Hipogrifo: Revista de Literatura y Cultura del Siglo de Oro
issn 2328-1308
publishDate 2017-05-01
description «The passion for order» that characterizes the Caledonian works can be seen in the optics capacity of the dramatist to produce auto sacramentales that maintain a direct correlation with the preceding pictorial works. In this line of analysis, this study presents the convergence between the allegorical linealismo visibly present in the Roman mural paintings of the region of Castile and León in Two Angels and a Holy Archbishop of anonymous artist found in the Hermitage of the Vera Cruz de Maderuelo, Segovia, of the twelfth century Spain, and the implied significance of the symbolism represented in the scenic sketches of the auto sacramental The Immunity of Consecrated Ground by Pedro Calderón de la Barca written in the early modern Spain.
url http://revistahipogrifo.com/index.php/hipogrifo/article/view/198
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